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The debate quickly becomes personal when individual, family, and class histories are decided as winners or losers.
A propos de l'auteur
Marcus Youssef is based on unceded Coast Salish Territory, a.k.a. Vancouver, Canada. His fifteen or so plays have been produced in multiple languages in scores of theatres in twenty countries across North America, Europe, and Asia, from Seattle to New York to Reykjavik, London, Venice, Hong Kong, Vienna, Athens, Frankfurt, and Berlin.
In 2017, Marcus received Canada's most prestigious theatre award, the Siminovitch Prize in Theatre, for his body of work as a playwright. He is also the recipient of Berlin's Ikarus Theatre Prize, the Vancouver Mayor's Arts Award, the Rio Tinto Alcan Performing Arts Award, the Floyd S. Chalmers Canadian Play Award, the Seattle Times Footlight Award, the Vancouver Critics' Innovation Award (three times), and the Canada Council Staunch-Lynton Award. Marcus co-founded the East Vancouver artist-run production hub Progress Lab 1422 and was the inaugural chair of the City of Vancouver's Arts and Culture Policy Council.
Talon has published his Adrift, Adventures of Ali & Ali and the aXes of Evil, Ali and Ali, Jabber, King Arthur's Night and Peter Panties, and Winners and Losers.
He is currently International Artistic Associate at Farnham Maltings in the UK, Playwright in Residence at Tarragon Theatre, and Artistic Associate at Neworld Theatre in Vancouver. Marcus also sits on SCALE, a national arts roundtable formed in partnership with the Climate Emergency Unit of the David Suzuki Foundation, inspired by Seth Klein's remarkable book, A Good War: Mobilizing Canada for the Climate Emergency.
Résumé
Two buddies, theatre artists and long-time friends Marcus and James, sit at a table and pass the time together playing a made-up game in which they name people, places, or things – Pamela Anderson, microwave ovens, their fathers, Goldman Sachs – and debate whether they are successful or not; in other words, whether they are winners or losers. Each friend seeks to defeat the other, and because one of these men grew up economically privileged, and the other did not, the competition very quickly adds up.
Winners and Losers showcases the work of two giants of the Vancouver indie theatre scene. James Long’s Theatre Replacement develops work specific to particular places and the people who live in them. Marcus Youssef’s Neworld Theatre investigates questions of power, culture, and belonging.
Their first collaborative work is a staged conversation that embraces the ruthless logic of capitalism, and tests its impact on our closest personal relationships as well as our most intimate experiences of self.
