Hugo Riemann and the Birth of Modern Musical Thought

Informationen zum Autor Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001. Klappentext Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German. Zusammenfassung By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences! German nationhood and modern technology! this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Inhaltsverzeichnis 1. Riemann's moonshine experiment; 2. The responsibilities of nineteenth-century music theory; 3. Riemann's musical logic and the 'as if'; 4. Musical syntax, nationhood and universality; 5. Beethoven's deafness and tone imaginations; Epilogue; Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900).

Détails du produit

• Auteurs: Rehding Alexander, Alexander Rehding, Alexander (Princeton University Rehding
• Edition: Cambridge University Press ELT
• Langues: Anglais
• Format d'édition: Livre de poche
• Sortie: 11.01.2009
• EAN: 9780521096362
• ISBN: 978-0-521-09636-2
• Pages: 232
• Thème: New Perspectives in Music Hist
• Catégorie: Sciences humaines, art, musique > Musique > Monographies