Music Theory and Natural Order From the Renaissance to the Early - Twentieth Centur

Zusammenfassung In exploring ways in which music theory has represented and employed natural order since the scientific revolution! this volume asks some fundamental questions not only about nature in music theory! but also the nature of music theory. Inhaltsverzeichnis Part I. The Disenchantment and Re-enchantment of Music: 1. Vincenzo Galilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature's voice': music, natural philosophy and the hidden world in seventeenth-century England Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct' and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner: when music lies Leslie David Blasius; Part II. Natural Forms - Forming Nature: 5. The second nature of sonata form Scott Burnham; 6. August Halm's two cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen's topography of the major-minor system Suzannah Clark; Part III. Constructions of Identity: 8. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory Ian Biddle; 9. On the primitives in music theory: the savage and subconscious as sources of analytical authority Peter A. Hoyt.

Détails du produit

• Auteurs: Suzannah Clark, Suzannah (University of Oxford) Rehding Clark, Suzannah Rehding Clark
• Collaboration: Suzannah Clark (Editeur), Alexander Rehding (Editeur)
• Edition: Cambridge University Press ELT
• Langues: Anglais
• Format d'édition: Livre de poche
• Sortie: 19.01.2006
• EAN: 9780521023924
• ISBN: 978-0-521-02392-4
• Pages: 256
• Catégorie: Sciences humaines, art, musique > Musique > Théorie de la musique