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Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For »Timing of Affect«, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology. The contributions address possibilities for affect as a capacity of the body; as an anthropological inscription and a primary, ontological conjunctive and disjunctive process as an interruption of chains of stimulus and response; and as an arena within cultural history for political, media, and psychopharmacological interventions. Showing how these and other temporal aspects of affect are articulated both throughout history and in contemporary society, the editors then explore the implications for the current knowledge structures surrounding affect today.
Table des matières
7 - 16 Introduction (Marie-Luise Angerer, Bernd Bösel, Michaela Ott)17 - 33 Affective Transitions and Spinoza's Art of Joyful Deliberation (Moira Gatens)35 - 47 Dividual Affections (Michaela Ott)49 - 64 Discognition (Steven Shaviro)65 - 86 Feelings without Feelers, or Affectivity as Environmental Force (Mark B. N. Hansen)87 - 102 Affective Synchronization, Rhythmanalysis and the Polyphonic Qualities of the Present Moment (Bernd Bösel)103 - 118 Affective Knowledge (Marie-Luise Angerer)119 - 144 The Neural Network (Orit Halpern)145 - 159 Temporalizing Presence and »Re-Presencing« the Past (Wolfgang Ernst)161 - 177 Digital Automation and Affect (Luciana Parisi)179 - 190 The Age of Affective Computing (Anna Tuschling)191 - 205 Sensory Engineering (Rolf Großmann)207 - 223 Time Flow and Musical Emotions (Wiebke Trost)225 - 243 Atmospheres of Affect (Chris Salter)245 - 262 Affective Politics of Timing (Christoph Brunner)263 - 282 Feeling Gloomy or Riding High (Sarah Greifenstein, Hermann Kappelhoff)283 - 288 The Object's Affects (Patricia Ticineto Clough)289 - 302 Mapping Affect (Brigitte Bargetz)303 - 320 After Affects (Sebastian Vehlken)321 - 338 The Market in Wonderland (Brian Massumi)339 - 342 The Authors
A propos de l'auteur
Marie-Luise Angerer, geb. 1958, Studium der Kommunikationswissenschaften, Romanistisk, Philosophie und Kunstgeschichte an der Universität Wien. Promotion 1983. Habilitation im Fachbereich Kommunikationwissenschaften 1996 an der Universität Salzburg. Forschungsaufenthalte in Australien, USA und UK. Gast- und Vertretungsprofessuren in Berlin, Bochum, Budapest, Zürich. Seit 2000 Professorin für Gender&Medien an der Kunsthochschule für Medien Köln. Zahlreiche Publikationen zu Körper, Medien, Neue Technologien und Cultural Studies.
Michaela Ott, geb. 1964, Professorin für ästhetische Theorien an der Hochschule für bildende Künste Hamburg, Philosophin, Filmwissenschaftlerin, Übersetzerin (Foucault, Baudrillard). Forschungsschwerpunkte: Ästhetische Theorien, poststrukturalistische Philosophie, Filmphilosophie, Raum- und Affekttheorien.
