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Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are performers-demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.
Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young
Table des matières
Foreword / D. Soyini Madison
Acknowledgments
Introduction. From "Negro Experiment" to "Black Performance" / Thomas F. DeFrantz and Anita Gonzalez
Part I: Transporting Black
1. Navigations: Diasporic Transports and Landings / Anita Gonzalez
2. Diasporic Spidering: Constructing Contemporary Black Identities / Nadine George-Graves
3. Twenty-First-Century Post-Humans: The Rose of the See-J / Hershini Bhana Young
4. Hip Work: Undoing the Tragic
Mulata / Melissa Blanco Borelli
Part II: Black-En-Scène
5. Black-Authored Lynching Drama's Challenge to Theater History / Koritha Mitchell
6. Reading "Spirit" and the Dancing Body in the Choreography of Ronald K. Brown and Reggie Wilson / Carl Paris
7.
Uncovered: A Pageant of Hip Hop Masters / Rickerby Hinds
Part III: Black Imaginary
8. Black Movements: Flying Africans in Spaceships / Soyica Diggs Colbert
9. Post-logical Notes on Self-Election / Wendy S. Walters
10: Cityscaped: Ethnospheres / Anna B. Scott
Part IV: Hi-Fidelity Black
11. "Rip It Up": Excess and Ecstasy in Little Richard's Sound / Tavia Nyong'o
12. Don't Stop 'til You Get Enough: Presence, Spectacle, and Good Feeling in
Michael Jackson's This Is It / Jason King
13. Afro-sonic Feminist Praxis: Nina Simone and Adrienne Kennedy in High Fidelity / Daphne A. Brooks
14. Hip-Hop Habitus V.2.0 / Thomas F. DeFrantz
Bibliography
Contributors
Index
A propos de l'auteur
Thomas F. DeFrantz is Professor of African and African American Studies, Dance, and Theater Studies at Duke University. He is a dancer, a choreographer, and the author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture.
Anita Gonzalez is Professor of Theater at the University of Michigan. She is a director, a choreographer, and the author of Afro-Mexico: Dancing between Myth and Reality.
Résumé
Black performance theory is a rich interdisciplinary area of study and critical method. In this collection of new essays, some of its pioneering thinkers demonstrate the breadth and depth, innovation, and critical value of black performance theory.
