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Informationen zum Autor Lina Khatib leads the Program on Arab Reform and Democracy at Stanford University's Freeman Spogli institute for International Studies. Klappentext This book is an innovative collection of essays that discuss how different cinema of the world tells stories. Notes on ContributorsIntroduction to Volume One, by Lina Khatib'National' Forms of StorytellingAristotle Did Not Make It to India: Narrative Modes in Hindi Cinema, by Claus Tieber Tootsie Meets Yesilcam: Narration in Popular Turkish Cinema, by Savas ArslanJewish Humour and the Cabaret Tradition in Interwar Hungarian Entertainment Films, by Anna ManchinStorytelling and Literary and Oral FormsThird Person Interrupted: Form, Adaptation and Narration in Tony Takitani, by Chris WoodThe Labyrinth of Halfaouine: Storytelling and the 1001 Nights, by Stefanie Van de Peer'Leaping broken narration': Ballads, Oral Storytelling and the Cinema, by Adam GanzRethinking Storytelling Forms in African CinemasStorytelling in Contemporary African Fiction Film and Video, by Lindiwe DoveyThat's Entertainment? Art, Didacticism and the Popular in Francophone West African Cinema, by David MurphyIntriguing African Storytelling: On Aristotle's Plot by Jean-Pierre Bekolo, by Matthias De GroofStorytelling and Visual FormsPirosmani's Passion: Narration and the Aesthetics of Pirosmanashvili's Paintings in Georgian Film, by Gesine Drews-SyllaWhen the Story Hides the Story: The Narrative Structure of Milcho Manchevski's Dust, by Erik TangerstadRefusing to Conform: Forms of Non-narrationPrimitive Gazing: Apichatpong Weerasethakul's Sensational Inaction Cinema, by Matthew P. FerrariGhosts in the National Machine: The Haunting (and Taunting) Films of Tracey Moffatt, by Jennifer L. GauthierThe Reluctance to Narrate: Elia Suleiman's Chronicle of a Disappearance and Divine Intervention, by Linda MokdadIndex
