Fr. 43.50

National Performance - Representing Quebec From Expo 67 to Celine Dion

Englisch · Taschenbuch

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Informationen zum Autor Erin Hurley is a professor of drama and theatre in the Department of English at McGill University. Klappentext In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec. Zusammenfassung Winner of the Northeast Modern Language Association's Book Prize! National Performance is sophisticated yet accessible! seeking to enlarge the parameters of what counts as 'Quebecois' performance! while providing a thorough introduction to changing discourses of nation-ness in Quebec. Inhaltsverzeichnis List of Illustrations Preface Marginals, Metaphors and Mimesis National Construction: Quebec's Modernity at Expo 67 National Reflection: Michel Tremblay's Les belles-soeursand le nouveau théâtre québécois National Simulation: Marco Micone's culture immigrée National Metonymy: Arresting images in the devised works of Carbone 14 National Affection: Céline Dion Works Cited ...

Über den Autor / die Autorin










Erin Hurley is a professor of drama and theatre in the Department of English at McGill University.


Produktdetails

Autoren Erin Hurley, Professor Erin Hurley
Verlag University of Toronto Press
 
Sprache Englisch
Produktform Taschenbuch
Erschienen 30.09.2016
 
EAN 9781487521332
ISBN 978-1-4875-2133-2
Seiten 277
Serien Cultural Spaces
Cultural Spaces
Themen Geisteswissenschaften, Kunst, Musik > Kunst > Theater, Ballett
Sachbuch > Politik, Gesellschaft, Wirtschaft > Gesellschaft
Sozialwissenschaften, Recht,Wirtschaft > Sozialwissenschaften allgemein

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