Mehr lesen
Informationen zum Autor Ian Conrich is Fellow at the University of Essex in the Department of Literature, Film and Theatre; Founding Director of the Centre for New Zealand Studies, Birckbeck, Univeristy of London Estella Tincknell is Associate Head of the School of Cultural Studies at the University of the West of England. Klappentext The authors are concerned with both the relationship between performance! music! and film and the specificity of national! historical! social! and cultural contexts. Subjects include: cinematic representations of music forms; celebrities! fan culture! and intertextuality; the importance of popular music and the soundtrack movie; and specific national contexts. Zusammenfassung The scope of this collection is indicative of the breadth and diversity of music’s role in cinema, as is its emphasis on musical contributions to ‘non-musical’ films. It brings together chapters that are concerned with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts. Inhaltsverzeichnis Introduction; PART I: MUSIC, FILM, CULTURE; 1. Jazz, Ideology and the Animated Cartoon; 2. A Short History of the Big Band Musical; 3. Television, the Pop Industry and the Hollywood Musical; 4. The Operatic in New German Cinema; PART II: STARS, PERFORMANCE AND RECEPTION; 5. Jack Buchanan and the British Musical Comedy of the 1930s; 6. Star Personae and Authenticity in the Country Music Biopic; 7. Stardom, Reception and the ABBA 'Musical'; PART III: THE POST-CLASSICAL HOLLYWOOD MUSICAL; 8. Musical Performance and the Cult Film Experience; 9. The Soundtrack Movie, Nostalgia and Consumption; 10. Youth, Excess and the Musical Moment; 11. Music, Film and Post-Stonewall Gay Identity; PART IV: BEYOND HOLLYWOOD; 12. Early Danish Musical Comedies, 1931-1939; 13. Film Musicals in the GDR; 14. The Bollywood Musical.
