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In the early 20th century, when few stars were known by name, no woman had greater worldwide fame than ballet dancer and choreographer Anna Pavlova. Unlike movie actresses, whose celebrity spread with the international distribution of their films, Pavlova’s renown had to be earned theater by theater, performance by performance. Her legendary art was, by its nature, ephemeral. Still, no one traveled farther or worked harder than this slight daughter of a Russian laundress.
Acting as star, choreographer, producer, and boss of a large dance company constantly touring the globe, Pavlova was a consummate artist and a canny businesswoman. A generation marveled and cherished the memory of her scintillating brilliance on stage. The restoration of The Dumb Girl of Portici — with the dazzling new score by dance composer John Sweeney — will give today’s audiences a chance to experience the energy, the expressive face, and the grace of the great Pavlova.
The Dumb Girl of Portici is a previously unseen film long overdue for recognition as one of Weber’s finest creations and a landmark in women’s cinema. The production was one of Universal’s most expensive to date and featured an enormous cast, many large-scale sets, and an ambitious story. It was the first blockbuster ever directed by a woman — and arguably the only epic shot by a woman in the 20th century.
Bonus features:
- The Immortal Swan, 1935, directed by Edward Nakhimoff, produced by Victor D'Andre. 48 minutes
- Anna Pavlova Dancing, 1925, produced by Douglas Fairbanks, 13 minutes
- Anna Pavlova in Newsreels, 1920s, 2 minutes.
Pavlova Home Movies, 1920s, 13 minutes
Anna Pavlova