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Former Variety reporter Nicole LaPorte draws from years of inside-the-filmmakers-studio access to spin a smart, gritty tell-all about a clash of industry titans in The Men Who Would Be King. DreamWorks—the mega-million-dollar brainchild of Steven Spielberg, Jeffrey Katzenberg, and David Geffen—heralded a new age of entertainment empires when it launched in 1994, and their competitive strategy was fierce. For avid business readers, among others, seeing David Geffen in action as he seduces investors like Microsoft's Paul Allen and takes on CAA's Michael Ovitz is worth the price of admission. Their creative battles cost them untold billions on the way to the box office, but this is no rags-to-riches story: in fact, as they grow DreamWorks into one of the most influential film brands operating today, these rich men get richer, even as the stakes get higher.
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NICOLE LAPORTE is a former reporter for Variety, where she covered the Hollywood movie industry for several years. She wrote "The Rules of Hollywood" column for the Los Angeles Times Magazine and has written for The New Yorker, the New York Times, the New York Observer, W Magazine, and theDaily Beast.
Zusammenfassung
Former Variety reporter Nicole LaPorte draws from years of inside-the-filmmakers-studio access to spin a smart, gritty tell-all about a clash of industry titans in The Men Who Would Be King.
DreamWorks—the mega-million-dollar brainchild of Steven Spielberg, Jeffrey Katzenberg, and David Geffen—heralded a new age of entertainment empires when it launched in 1994, and their competitive strategy was fierce. For avid business readers, among others, seeing David Geffen in action as he seduces investors like Microsoft's Paul Allen and takes on CAA's Michael Ovitz is worth the price of admission. Their creative battles cost them untold billions on the way to the box office, but this is no rags-to-riches story: in fact, as they grow DreamWorks into one of the most influential film brands operating today, these rich men get richer, even as the stakes get higher.
