Fr. 82.80

Decorating the ''Godly'' Household - Religious Art in Post-Reformation Britain

Englisch · Fester Einband

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Beschreibung

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Informationen zum Autor Tara Hamling is a RCUK/Roberts Research Fellow in the Department of History, University of Birmingham, and a Fellow of the Shakespeare Institute, where she is currently based. Klappentext Tara Hamling examines decorative features from historic houses throughout England and Scotland and identifies a significant but overlooked trend in the history of British art. She reveals a widespread fashion for large-scale religious imagery in houses owned by the gentry and prosperous middle classes during the period 1560-1660 which is interpreted in relation to life in the 'godly' household. The book is copiously illustrated with narrative imagery in wall painting, plasterwork, carved wood and stone and a range of objects including furniture, textiles and ceramics. The character of this 'decorative' art is explored in relation to the functions of rooms in the early modern domestic interior with a focus on how religious imagery might inform and support spiritual activities taking place within the home. The visual evidence throughout the book is supported by extracts from contemporary texts to elucidate the meanings of imagery for its original audience. Zusammenfassung The Reformation is generally regarded as a calamitous episode in the history of British art! with the rich artistic heritage of the medieval period eradicated and replaced by an austere Protestant culture of the word. This title argues that religious subject matter was common in the arts of Protestant Britain.

Produktdetails

Autoren Tara Hamling, Hamling Tara
Verlag Yale University Press Ltd
 
Sprache Englisch
Produktform Fester Einband
Erschienen 15.10.2010
 
EAN 9780300162820
ISBN 978-0-300-16282-0
Seiten 256
Serien The Paul Mellon Centre for Studies in British Art
Paul Mellon Centre for Studies in British Art
Paul Mellon Centre for Studies
Thema Geisteswissenschaften, Kunst, Musik > Kunst > Kunstgeschichte

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