Mehr lesen
Informationen zum Autor Tamar Ashuri is a lecturer at Ben-Gurion University's Department of Communication Studies and in the School of Communications at Sapir Academic College, Ashkelon. She received her PhD from the Research Programme in Media and Communications at the London School of Economics and Political Science. Her recent publications have appeared, inter alia, in 'Media, Culture & Society' and 'Nation and Nationalism', and her new book on the history of media technologies will be published in 2008. Klappentext The television industry has metamorphosised from a national and largely-monopolized sector to a commercial and global enterprise. This title shows that making the documentary on the Arab-Israeli struggle turned into a war: a war over competing memories! interpretation! editing! and finally narration. Zusammenfassung The television industry has metamorphosised from a national and largely-monopolized sector to a commercial and global enterprise. This title shows that making the documentary on the Arab-Israeli struggle turned into a war: a war over competing memories, interpretation, editing, and finally narration. Inhaltsverzeichnis TABLE OF CONTENTSIntroductionChapter 1: ‘The Television Documentary’ and the Representation of National Identity and Shared MemoryChapter 2: Television, Nationalism, and GlobalizationChapter 3: Co-Producing Television ProgrammesChapter 4: The Cultural Economy of ‘Televised History’ through the Lenses of ‘The Fifty Year War: Israel and the Arabs’ Pre-productionChapter 5: Editing Nation and Culture: the Three Final CutsChapter 6: TV ‘Tension’: Globalization vs. Nationalism and Shared vs. Cosmopolitan Memory in Co-Produced Television DocumentariesConclusion
