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Informationen zum Autor Jeffrey Richards is Professor of Cultural History at the University of Lancaster and a leading authority on Victorian popular culture, the Victorian theatre and twentieth century cinema. His study of Henry Irving (Hambledon 2005) was shortlisted for the Theatre History Book Prize. He is a regular reviewer and broadcaster. Klappentext Sir Henry Irving was the greatest actor of the Victorian age and was thought of by Gladstone as his greatest contemporary. He transformed the theatre, in Britain and America, from a disreputable and marginal entertainment into a respected, civilising and uplifting art form. Irving's enthusiastic supporters, eager to see his every appearance, ranged from Queen Victoria to working men and housewives. At the Lyceum Theatre from 1878 to 1902 he set new standards in acting, often partnered by Ellen Terry, and in production. In 1895 he became the first actor to receive a knighthood. His tours to America brought a revolution in acting practice to the New World. In Sir Henry Irvine: A Victorian Actor and his World, published to mark the centenary of Irving's death, Jeffrey Richards gives an account not only of Irving himself but also of his impact on the Victorian theatre and on Victorian life as a whole. Sir Henry Irving was the greatest actor of the Victorian age and was thought of by Gladstone as his greatest contemporary. He transformed the theatre, in Britain and America, from a disreputable and marginal entertainment into a respected and uplifting art form. This work gives an account of Irving and his impact on the Victorian theatre and life. Inhaltsverzeichnis Illustrations Acknowledgements Introduction 1 Sir Henry Irving 2 Chivalry 3 Ellen Terry 4 The Victorian Stage 5 The Victorian Repertoire 6 Playwrights 7 Ruskin and Ruskinism 8 The Arts 9 Celebrity Culture 10 Critics and the Press 11 English History 12 Foreign History 13 Religion 14 Shylock and the Jews 15 Afterword Notes Index...
Über den Autor / die Autorin
Jeffrey Richards is Professor of Cultural History at the University of Lancaster and a leading authority on Victorian popular culture, the Victorian theatre and twentieth century cinema. His study of Henry Irving (Hambledon 2005) was shortlisted for the Theatre History Book Prize. He is a regular reviewer and broadcaster.
