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This book distils thirty years of creative practice into a rigorous inquiry that bridges artmaking, somatic intelligence, and systems thinking. Rooted in the author s concept of Embodied Matter Exploration (EME), it positions creativity as cultural metabolism, where material, memory, and body co-compose meaning. Each chapter unfolds around an artwork as theory, method, and intervention. Resisting fragmentation, the book integrates autoethnography, semiotics, and living systems thinking.
Academic literature is treated as a dialogical companion. By participating in meaning making and interpretation, readers gain new perceptions of self, nature, and society, and develop critical reflections to challenge pressing issues such as social injustice, environmental sustainability, and technology s shaping impacts. A thought-provoking read for those interested in systems theory, anthropology, health psychology, neuroscience, and ecology, this practice-led and autoethnographic work opens new paths to possibility studies and creative research.
Inhaltsverzeichnis
Abstract.- Chapter 1. The Lay of the Land.- Chapter 2. My Process in Making Art .- Chapter 3. Transdisciplinary Enquiry and a Phenomenological Approach.- Chapter 4. A Global Traveler.- Chapter 5. Culture as a membrane for being.- Chapter 6. The body, nature and binaries.- Chapter 7. Learning To EEEM. Building an earth house.- Chapter 8. Searching for the Body's Voice in an Industrialised, in a Fiat Economy.- Chapter 9. Creative Arteries, Arterioles and Capillaries.- Chapter 10. Dela. Confluences and alluvium. Sublimation.- Afterword. Superorganism collective and practicing mind in life.
Über den Autor / die Autorin
Barbara Doran is Course Director for the Creative Intelligence and Strategic Innovation program at the University of Technology Sydney, Australia.
Zusammenfassung
This book distils thirty years of creative practice into a rigorous inquiry that bridges artmaking, somatic intelligence, and systems thinking. Rooted in the author’s concept of Embodied Matter Exploration (EME), it positions creativity as cultural metabolism, where material, memory, and body co-compose meaning. Each chapter unfolds around an artwork as theory, method, and intervention. Resisting fragmentation, the book integrates autoethnography, semiotics, and living systems thinking.
Academic literature is treated as a dialogical companion. By participating in meaning making and interpretation, readers gain new perceptions of self, nature, and society, and develop critical reflections to challenge pressing issues such as social injustice, environmental sustainability, and technology’s shaping impacts. A thought-provoking read for those interested in systems theory, anthropology, health psychology, neuroscience, and ecology, this practice-led and autoethnographic work opens new paths to possibility studies and creative research.
