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Since the Nobel Prize in Literature was awarded to J. M. G. Le Clézio in 2008, there has been a wave of new interest in his oeuvre. This book traces the evolution of the writer's postcolonial thought from his early works to his groundbreaking autobiographical novel Révolutions, arguably his most subversive text to date. The author shows how Le Clézio's critique of colonialism is rooted in an early denunciation of capitalism and philosophical dualism, and sheds new light on the crucial roles played by Jean-Paul Sartre, Aimé Césaire and Frantz Fanon in his development.
The author's close reading of Révolutions reveals a complex system of interconnections between the colonial conflicts from the 1700s to the 1900s, with recurrent patterns of violence, cultural repression and racism. The issue of neocolonialism is addressed and the persistence of the colonial mindset in contemporary Europe and Westernized countries is shown to echo the findings of Paul Gilroy, Max Silverman and Étienne Balibar. The book concludes with an examination of the utopian elements underpinning Révolutions, establishing close affinities with the work of Édouard Glissant and developing the notion of permanent revolution. Themes explored include those of storytelling, cultural memory, cultural identity, language, intertextuality and interculturality.
Inhaltsverzeichnis
Contents: The philosophical and political roots of Le Clézio's postcolonial thought in Le Procès-verbal - Committed literature and the relationship between language and historic reality in Le Procès-verbal: Le Clézio and Jean-Paul Sartre - The civilizing mission and the encounter with non-European cultures and philosophies in Le Livre des fuites and Désert - The migrant, cultural identity and strategies of resistance in Désert and Poisson d'or: Le Clézio, Aimé Césaire and Frantz Fanon - The Revolutionary Wars and colonial Mauritius: violence, cultural oppression and slavery in Révolutions - Republican ideology, neocolonialism and the new racism (Paul Gilroy) in Révolutions - The quest for utopia in Révolutions: Le Clézio's concept of relationality and the thought of Edouard Glissant.
Über den Autor / die Autorin
Bronwen Martin is an Honorary Research Fellow in the Department of Languages and Cultures at Birkbeck College, University of London. She has taught literature for many years at Birkbeck and has published widely in the fields of twentieth-century French literature, semiotics and discourse analysis.
