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This volume explores issues of repair, maintenance, sustenance, and adaptation within the context of interior design and its histories.
The contributions to this volume celebrate critical analysis of past and present work as well as potentials for upkeeping the built environment, sustaining our histories and cultures, and maintaining our shared resources as we face radical shifts in the ways in which we inhabit the various spaces where we work, live, convene, cross, and connect. Chapters recognize the ways in which the interior has defined, reinforced, hidden, and protected servitude and repair. They offer an appreciation of the role of interiors to extend the lives of our architectures and the human interactions they sustain. Expert and emerging contributing authors explore varied topics such as Dalit cleaning as a practice of decolonial interior architecture, responses to pest invasion, cultural attitudes toward age, wear and waste, and creative repair, among many others.
This will be of great interest to all students and academics of interior design, as well as architecture, architectural conservation, visual culture, history of art, and all those interested in the theory and philosophy of the reuse of interiors.
Inhaltsverzeichnis
Part 1: Upkeep: (Keeping Up Or Working Toward A Sustained Social State) 1. Move >> Interiority and Upkeep in Syrian Refugee Camps 2.The Merits of Dust: Remaking the Interiors of 8-14 West Eighth Street and American Studio Art Practice 3. Alternative Reality Creation as Liberatory Ideology 4. Francisco Toledo and CaSa: Cultural Conservation through Activism and Institution Building in Oaxaca, Mexico 5. Mixed not Stirred: Diverging Outside the Confines of Racial and Disciplinary Boxes of Identification 6. In-between Surfaces: the Fragile and Failing
Part 2: Repair: (The Resistance of Change through Acts of Care) 7. From Making Good to Repair 8. The New Historic House: Mending Historic Space to Center Black Life in the United States 9. Moving Interiors: Disassembling, Reassembling, Re-Installing 10. Creative Repair: Sites and Strategies for Renewal
Part 3: Maintenance: (Adding Perceived or Functional Value through Acts of Rehabilitation) 11. Infested Interiors 12. Recipe for Disaster: Keeping Up with the American Kitchen 13. Dalit Spatial Continuities: Dirt and the Construction of Interior-Exterior Binaries in Colonial India 14. Upkeep and the Ghost in the Machine: Bataille Bursts Banham's Bubble 15. Ruined Testimony: Rogelio Salmona's Abandoned Vision for the Jorge Eliécer Gaitán Cultural Center
Afterword: Time Is Our Most Precious Commodity
Über den Autor / die Autorin
Amy Campos is a Professor at California College of the Arts. She focuses on durability and design, and the impermanent, migratory potentials of the interior. Recent publications include
Public Interiority (Routledge, 2024),
Interior Design On Edge (Routledge, 2024),
Interior Futures (2019),
Interiors Beyond Architecture (Routledge, 2018), and
Interior Architecture Theory Reader (Routledge, 2018).
Deborah Schneiderman is a Professor at Pratt Institute. Her scholarship and praxis explore the emerging fabricated interior environment. Recent publications include
Inside Prefab: The Ready-Made Interior;
The Prefab Bathroom;
Textile, Technology and Design: From Interior Space to Outer Space;
Interiors Beyond Architecture;
Interior Provocations: History, Theory, and Practice of Autonomous Interiors;
Appropriated Interiors, Interiors On Edge, and The Prefabricated Interior.
Keena Suh is a Professor in the Interior Design Department at Pratt Institute (New York, USA), where she teaches design studios at undergraduate and graduate levels along with electives and construction-related courses, which she coordinates. She holds an MArch from Columbia University.
Karyn Zieve is Assistant Dean in the School of Liberal Arts and Sciences and Adjunct Assistant Professor in the Department of History of Art & Design at Pratt Institute. She teaches classes that range from the introductory history of art and design sequence to topics in museum studies and the long nineteenth-century European art, design, and theory with a focus on cross-cultural communication and miscommunication. She received her PhD from the Institute of Fine Arts, NYU, completing her dissertation on Eugene Delacroix, Orientalism, and Historicism.
