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Informationen zum Autor Lilie Chouliaraki is Professor of Media and Communications at the London School of Economics. Klappentext This path-breaking book explores how solidarity towards vulnerable others is performed in our media environment. It argues that stories where famine is described through our own experience of dieting or or where solidarity with Africa translates into wearing a cool armband tell us about much more than the cause that they attempt to communicate. They tell us something about the ways in which we imagine the world outside ourselves.By showing historical change in Amnesty International and Oxfam appeals, in the Live Aid and Live 8 concerts, in the advocacy of Audrey Hepburn and Angelina Jolie as well as in earthquake news on the BBC, this far-reaching book shows how solidarity has today come to be not about conviction but choice, not vision but lifestyle, not others but ourselves - turning us into the ironic spectators of other people's suffering. "Lilie Chouliaraki's The Ironic Spectator is the best journalism book for 2013." Prof. Bob Franklin, Cardiff University; editor of Journalism Studies " The Ironic Spectator will have far-reaching impact, as its arguments unsettle accepted paradigms in media ethics and development studies, but also in political communication, journalism, and social theory. Written in her distinctively lyrical prose, Lilie Chouliaraki's latest book inspires us to judge not only the efficiencies but the ethics of humanitarian projects. With it, we can no longer deny the infinite folly in failing to factor in the moral cost of self-centered communication." Journal of Communication "In 2006 Lilie Chouliaraki published The Spectatorship of Suffering which is commonly considered to be a seminal work within the young and emerging field of research that concerns itself with the issue of mediated disasters and human suffering...It is fair to say that Chouliaraki has raised the bar once more with her more recent contribution to this field, 'The Ironic Spectator', which discerns important differentiations, distinctions and transformations at work in the humanitarian mediation of human suffering while also reflecting on broader societal developments." International Journal of Communication "Chouliaraki provides us with an exceptionally rich, detailed and comprehensive framework for understanding the moral role of the media in our time. The Ironic Spectator ... offers a compelling account of how humanitarian communications have become increasingly focussed on the self, rather than the other, but also, perhaps more importantly, it offers an equally compelling normative vision of what humanitarian communication should look like." Critical Discourse Studies "An exceptionally important work ... We should be grateful to Lilie Chouliaraki for providing such inspiration and challenge." Communications "How can humanitarian communication move beyond the pitfalls of both traditional humanitarianism (which can reinforce stereotypical images of helpless victims from the South) and of post-humanitarianism? Chouliaraki provides an alternative theoretical model based on theatricality, but the extent to which it can be enforced in practice remains to be seen. Indeed, this is precisely why her book -- written with brio, depth and sensitivity -- is so valuable, and deserves attention. The Ironic Spectator is a must-read for anyone professing to a level of social consciousness, and proves that academic debates can play a role in both fostering improved ethics in the context of a pervasive aspect of contemporary global life, as well as informing new humanitarian practices." Global Journal "Lilie Chouliaraki is the Aristotle of mediated humanitarianism. With empirical finesse and theoretical bite, she shows how compassion for distant suffering turned from pity into glitz. And yet she defends theatricality as a potential moral force if checked by critical self-awareness. This...