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Jane Austen's heroines respond to the power of the natural world, seeking comfort in nature's calm or referencing trees and "verdure"--meaning fresh greenness and fertility--in relation to their awakening self-knowledge and, in most, their sexuality.
This book focuses on interactions between Austen's heroines and uncontrollable forces of nature. Gender and nature are interwoven; some upper-class, usually male characters exploit nature as they exploit women. In the fragment Sanditon, Austen satirizes resort developers who commodify both nature and women. This work demonstrates how Austen transformed the Regency novel through pastoral language and structures, illuminating themes of greed, the inequality of institutions and cultural norms, and the emotional development of young women in the early nineteenth century.
Inhaltsverzeichnis
Table of ContentsAcknowledgments
Abbreviations and Page Numbers viii
Preface
Introduction: A Natural Sequence to a Childhood in Nature
One. Definitions: Austen's Transformed Pastoral, the Literary Language of Nature
Two. Sense and Sensibility: "Constant and painful exertion"
Three. Pride and Prejudice: Elizabeth Bennet's Pastoral World
Four. Mansfield Park: "To look on verdure"
Five. Emma: "Exquisite" Nature and Intellectual Isolation
Six. Persuasion: From Isolation to New Pastoral Community
Seven. Northanger Abbey: "The pleasure of walking and breathing fresh air"
Eight. "Catharine," "Evelyn," and Sanditon: Burlesque to Satiric Genre-Bending
Conclusion
Chapter Notes
Bibliography
Index
Über den Autor / die Autorin
Mary Jane Curry has been speaking and writing to general readers as well as scholars about nature and pastoral elements in Austen's fiction for thirty years. Most of her articles appear in Persuasions: The Journal of the Jane Austen Society of North America (JASNA). She leads occasional discussions for JASNA-North Carolina and founded JASNA Alabama. A retired associate professor (Ph.D. English), she lives in the Great Smoky Mountains of North Carolina.
