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An intimate account of Latin America between revolutionary promise and populist authoritarianism.
Inhaltsverzeichnis
IntroductionRosalind C. Morris | 1
A Note on the Text | 13
Reconocimientos: A Memoir of Becoming | 17
The Three Squares: Being, Having Been, Being AnotherLuis Pérez- Oramas | 111
AfterwordClaudio Lomnitz | 117
Notes | 123
Über den Autor / die Autorin
Luis Pérez-Oramas (Afterword By) Luis Pérez-Oramas is a Venezuelan poet, art historian and curator. He is the author of eleven volumes of poetry and numerous catalogue texts and critical essays. In 2011, he was Curatorial Director of the Sao Paolo Biennale. From 2006 to 2017, he was Latin American Art Curator at the Museum of Modern Art in New York City.
Claudio Lomnitz (Afterword By) Claudio Lomnitz is Campbell Family Professor of Anthropology at Columbia University. He is the author, most recently, of
Nuestra América: My Family in the Vertigo of Translation (2021).
Rafael Sánchez (Author) Rafael Sánchez (1950-2024) was senior lecturer at the Geneva Graduate Institute. He is the author of
Dancing Jacobins: A Venezuelan Genealogy of Latin American Populism (Fordham, 2016).
Rosalind C. Morris (Edited By) Rosalind C. Morris is Professor of Anthropology at Columbia University. Her most recent books are
Unstable Ground: The Lives, Deaths, and Afterlives of Gold in South Africa (Columbia, 2025) and, with William Kentridge,
Accounts and Drawings from Underground (rev. ed., Seagull, 2021). Her most recent film is the documentary
We are Zama Zama (2021).
Igor Barreto (Foreword By) Igor Barreto is a Venezuelan poet, editor and translator. He has been Director of Publications at the Museo Jacobo Borges in Caracas, Director of the Cinemateca Nacional, Director of Collections of the Fundación de Etnomusicología y Folklore, and Director of Imprenta Anauco.
