Filming Literature - The Art of Screen Adaptation

This is a comprehensive survey of the relationship between film and literature. It looks at the cinematic adaptations of such literary masters as Shakespeare, Henry James, Joseph Conrad and D.H. Lawrence, and considers the contribution to the cinema made by important literary figures as Harold Pinter, James Agree and Graham Greene. Elsewhere, the book draws intriguing analogies between certain literary and film artists, such as Dickens and Chaplin, Ford and Twain, and suggests that such analogies can throw fresh light on the subjects under review. Another chapter considers the film genre of the bio-pic, the numerous cinematic attempts to render in concrete terms the complexities of the literary life, whether the writer be Proust, Joyce, Oscar Wilde, Dashiel Hammett, Agatha Christie or Boris Pasternak.

Originally published in 1986, this is a book to appeal to any reader with an interest in film or literature, and is of especial value to those involved in the teaching or study of either subject.

Inhaltsverzeichnis

Introduction 1. ‘In My Mind’s Eye’: Shakespeare on the Screen2. Historian of Fine Consciences: Henry James and the Cinema3. Another Fine Mess: D.H. Lawrence and Thomas Hardy on Film4. Age of Doublethink: George Orwell and the Cinema5. Pinter’s Go-Between 6. The Camera Eye of James Agee7. Kindred Spirits: Analogies between the Film and Literary Artist8. Adaptation as Criticism: Four Films 9. Bio-Pics: The Literary Life on Film10. Film and Theatre

Über den Autor / die Autorin

Sinyard, Neil

Produktdetails

• Autoren: Neil Sinyard
• Verlag: Routledge Academic
• Sprache: Englisch
• Produktform: Fester Einband
• Erschienen: 17.04.2013
• EAN: 9780415826778
• ISBN: 978-0-415-82677-8
• Abmessung: 165 mm x 245 mm x 15 mm
• Serie: Routledge Library Editions: Film and Literature
• Themen: Geisteswissenschaften, Kunst, Musik > Kunst > Theater, Ballett; Sachbuch > Musik, Film, Theater; History, Media Studies, LITERARY CRITICISM / General, LITERARY CRITICISM / Reference, Humanities, Literary theory, PERFORMING ARTS / Film / General, PERFORMING ARTS / Film / Reference