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Realism is an artistic practice that aims to faithfully represent reality. Historically, it has been practiced across different media, from early pictorial art and epic oral narratives, through literature and visual arts, to film, music, and digital media. However, an understanding of what it means to "faithfully represent reality" is not universal; rather, it varies from culture to culture.
The Oxford Handbook of Global Realisms approaches realism as a transnational, transhistorical, and intermedial global phenomenon. It brings the diversity of global realisms to the fore, showcasing previously underrepresented and marginalized theories, practices, forms, and media of realist cultural production.
Inhaltsverzeichnis
- About the Editors
- List of Contributors
- 1. Global Theories, Chronologies, and Geographies of Realism
- Katherine Bowers and Margarita Vaysman
- Part I. Theories of Global Realism
- 2. The Politics of Postcolonial Realism
- Meghan Gorman-DaRif
- 3. Realism and the Subaltern in India
- Ulka Anjaria
- 4. Theorizing Global Realism from Lukács to Climate Crisis Literature
- Treasa De Loughry
- 5. Global Climate Realism in Blue Modern Europe
- Anna Barcz
- 6. Affect and the Global Politics of Emotion in German Realism
- Ervin Malakaj
- 7. Sentimentalism and the Gendered Aesthetics of Global Realisms
- Hilde Hoogenboom
- 8. Global Disability Studies and Realist Representation
- Hannah Thompson
- 9. Realism and Race in the Literature of the Global Hispanic Empire
- Julia Haeyoon Chang
- 10. Digital Humanities and Literary Realism
- Daniil Skorinkin and Boris Orekhov
- 11. Indigi-realism and "Aye!"sthetics
- Renae Watchman
- Part II. Practices of Global Realism
- 12. Embodied Realisms in Australian Aboriginal Art
- Liz Cameron
- 13. Realism and the Visual Arts in France and Japan
- Marika Takanishi Knowles
- 14. The Work of Realism, Shin, and Materia Medica in Nineteenth-Century Japan
- Maki Fukuoka
- 15. Victorian Realisms in the Age of Global Trade
- Jessica R. Valdez
- 16. Global Realism and the Gothic Genre
- Katherine Bowers
- 17. Ottoman Armenian Visual Realism and Social Reform
- Vazken Khatchig Davidian
- 18. Caribbean Diasporic Marvelous Realism
- María Alonso Alonso
- 19. Realist Drama as World Drama
- Ning Wang
- 20. Considering Gay Realisms in Canadian Theater
- Conrad Alexandrowicz
- 21. Realism, Neorealism, and Hyperrealism in Argentine Cinema
- Juli A. Kroll
- 22. World Cinema and the Ethics of Realism
- Lúcia Nagib
- Part III. Global Realisms and The Novel
- 23. Realism and Novel Ethics
- Christopher S. Weinberger
- 24. The Socialist Realist Novel in Central Asia
- Chris Fort
- 25. Capitalist Realism in the Arabic Novel
- Raya Alraddadi
- 26. The Global African Novel
- Katherine Hallemeier
- 27. Magic Realism in the African Novel
- Ousmane Ngom
- 28. Realist Physiognomies and the Japanese Modernist Novel
- Satoshi Bamba
- 29. Realism in the Global Age of Modernism in China and the United States
- Julia Chan
- 30. Russian Metafiction and Global Realisms
- Margarita Vaysman
- Part IV. Intermedial Global Realisms
- 31. Global Traveling Realisms from Literature to Film
- Kate Holland
- 32. Intermedial Projections from Realism to Naturalism
- Robert Singer
- 33. Narrative Realism and Television
- Lisa W. Jacobson and Chloë Kitzinger
- 34. Journalism and Realist Fiction in Nineteenth-Century France
- Edmund Birch
- 35. Peripheral Realisms, War, and Catastrophe in Contemporary Iraqi Fiction
- Modhumita Roy
- 36. Realism and the Politics of Frequency in Filmmaking
- Terri Weissman
- 37. Documentary Forms and Realist Theater
- Lucie Kempf
- 38. Reality Effects and Oral Modes of Entextualization
- Roma Chatterji
- 39. Computational Realism in the Digital Humanities
- Aaron Mauro
- 40. Transing Holodeck Realism in Video Games
- Cody Mejeur
- 41. Preposterous Realism and Posthuman Aesthetics
- Christoph Cox
- Index
Über den Autor / die Autorin
Katherine Bowers is Associate Professor of Slavic Studies at the University of British Columbia. Bowers's research considers questions of literary form and genre. Her first monograph,
Writing Fear: Russian Realism and the Gothic (2022), examines the ways European gothic fiction influenced the development of Russian realism. Her published work spans literary and media studies, digital humanities, and environmental humanities, as well as four co-edited volumes on topics in Russian literary and cultural history.
Margarita Vaysman is Associate Professor of Nineteenth-Century Russophone Literature and Thought and Fellow in Russian at New College, University of Oxford. Her first monograph
Self-Conscious Realism: Metafiction and the Nineteenth-Century Russian Novel was published in 2021. In 2020, Vaysman co-edited a volume
Nineteenth-Century Russian Realism: Society, Knowledge, Narrative , which showcased the new interdisciplinary, inclusive approaches to the Russian realist canon. Her research focuses on literary texts, primarily the realist novel, and history of gender and sexuality.
