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Informationen zum Autor Bernice L. Murphy is the former National Director, Museums Australia (Canberra), and Chair of the ICOM Ethics Committee from 2005-2011. She is also former Director of the Museum of Contemporary Art, Sydney (1984–2008). She served nine years (six as Vice-President) on the International Council of Museums Executive Council (1995–2004). She has published since the 1970s on exhibitions, art museums and contemporary art (including Indigenous art) and is the current editor of Museums Australia magazine. Klappentext This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM's unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike. Zusammenfassung This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM’s unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike. Inhaltsverzeichnis Introductions: i ICOM Turns 70: Ethics and the Value Creation Role of Museums Hans-Martin Hinz ii The role of museums in the twenty-first century Anne Catherine Robert-Hauglustaine iii The Work of the ICOM Ethics Committee Martin Schärer iv Introduction Bernice L Murphy PART I: Museums and ethics, the ICOM Code, and evolving standards for museums’ heritage care and social commitment 1 ICOM’s present Code: ICOM Code of Ethics for Museums (2004) Geoffrey Lewis 2 Ethical Issues and Standards for Natural History Museums Eric Dorfman 3 Reversing the De-realisation of Natural and Social Phenomena: Ethical Issues for Museums in a Multidisciplinary Context Michel Van-Praët PART II: International Action on Protection of the World’s Cultural Heritage and Biosphere 4 UNESCO’s Actions and International Standards for Museums Mechtild Rossler, and Nao Hayashi 5 The UNESCO Recommendation on the Protection and Promotion of Museums and Collections, their Diversity and Role in Society François Mairesse 6 Protecting Cultural Heritage at Risk: an International Public Service Mission for ICOM Fr...
