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Writing the Passions is a book of literary criticism, of philosophy and of the politics of modernity. It explores the arguments on the location of feeling in literature; on the fragmentation of the self under the pressure of the passions; of the place of the passions in psychoanalytic practice and theory; and on the notions of multiplicity, soul, spirit, polytheism and animism developed from their bases in psychoanalytic and Derridean theory.
The relations between writing and the passions are addressed through individual texts, ranging across many centuries and from Europe to China. Writers and texts discussed include Plato, Andrew Marvell, Swinburne, Salman Rushdie, Iain Banks, Deleuze, Guattari and many others. Topics addressed include: the meaning of crime passionnel; art and the wound; passion and ceremonial; adoration and abjection; dread and disgust; the nature of the exotic; shame and irony; separation, incompletion and the cure.
Written in a uniquely engaging and accessible style, Writing the Passions provides readers with a fascinating exploration of the general notion of 'the passions', together with a set of historical insights into how the passions have been considered and treated in different literatures and cultures.
Inhaltsverzeichnis
Chapter 1 The Passions; Chapter 2 Towards a Passional History; Chapter 3 Boundaries of Passion in the Renaissance; Chapter 4 Adoration and Abjection; Chapter 5 Dread and Disgust, Fascination and the Exotic; Chapter 6 The Contemporary Passional; Chapter 7 The 'Rich in Lustre' and the Narrative of Melancholy; Chapter 8 Passion, Shame and Irony; Chapter 9 The Barbarian, the Dark Station and the Passion of the Text; Chapter 10 Mysteries of the Passions;
Über den Autor / die Autorin
David Punter is Professor of English at the University of Bristol. His previous books include
The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (1980; revised 2 volume edition 1996);
Romanticism and Ideology: Studies in English Writing 1765-1830 (with David Aers and Jonathan Cook, 1981);
Blake, Hegel and Dialectic (1982) and
The Hidden Script: Writing and the Unconscious (1985).
Zusammenfassung
Uses the works of authors from Plato to Iain Banks to explore writing and the passions in thought and literature. Topics addressed in the book include the meaning of crime passionnel, art, passion and ceremonial, adoration and abjection, and the nature of the exotic.
