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Zusatztext 'Dr Black takes the reader on the dynamic journey that was Nevinson's printmaking career: from the well known Western Front images! through the vibrant jazz age in New York! and the delights and depressions of post war Paris! to his home town! London! and the tranquility afforded by the English countryside.' British Art Journal Informationen zum Autor Dr Jonathan Black is a Senior Research Fellow in History of Art at Kingston University. His publications include The Sculpture of Eric Kennington (2002), Form, Feeling and Calculation: The Paintings and Drawings of Edward Wadsworth (2006), The Face of Courage: Eric Kennington and the Second World War (2011) and (with Sarah Ayres) Abstraction and Reality: The Sculptor of Ivor Robert-Jones (2014). Klappentext C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Drawing on original archival research and including a catalogue raisonne of Nevinson's prints. Zusammenfassung C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Drawing on original archival research and including a catalogue raisonne of Nevinson's prints. Inhaltsverzeichnis Contents: Acknowledgements; Introduction; 'An epoch of horror': The First World War! 1916-18; 'Eternal London': The Thames and the English countryside! 1917-29; 'The most fascinating city in the world': Nevinson's prints of Jazz Age New York! 1919-21; Paris and La Belle France! 1917-31; Epilogue; Catalogue raisonne; Glossary; Chronology; Bibliography; Index.
