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Zusatztext "This superbly illustrated, readable and authoritative work is a major step in the revision of Soviet film history and will be an indispensable starting point for anyone seeking to understand that history." TLS `... this invaluable book ... informative and well-written comments of the editors ... an essential starting point for viewing and discussion.' - D.J. Wenden, Historical Journal of Film Radio & Television ` ... Richard Taylor's and Ian Christie's excellent scholarly work ... very worthy of attention and highly illuminating ...' - Anthony Smith, The Sunday Times ` ... a fascinating contribution to the debate ...' - Financial Times Informationen zum Autor Richard Taylor is Reader in Politics and Russian Studies at the University of Wales, Swansea, and Ian Christie is Head of Special Projects at the British Film Institute. Zusammenfassung `This superbly illustrated, readable and authoritative work is a major step in the revision of Soviet film history and will be an indispensible staring point for anyone seeking to understand that history.' - TLS Inhaltsverzeichnis Part 01 1896–1921: Introduction; Part 01a 1896; Section 1 Maxim Gorky: The Lumière Cinematograph (Extracts); Part 02 1911; Section 2 Leonid Andreyev: First Letter on Theatre (Extracts); Part 03 1913; Section 3 Vladimir Mayakovsky: Theatre, Cinema, Futurism; Section 4 Vladimir Mayakovsky: The Destruction of Theatre’ by Cinema as a Sign of the Resurrection of Theatrical Art; Section 5 Vladimir Mayakovsky: The Relationship Between Contemporary Theatre and Cinema and Art; Section 6 Leonid Andreyev: Second Letter on Theatre (Extract); Part 04 1915; Section 7 Vsevolod Meyerhold: On Cinema; Part 05 1917; Section 8 Lev Kuleshov: The Tasks of the Artist in Cinema; Part 06 1918; Section 9 Lev Kuleshov: The Art of Cinema; Part 07 1919; Section 10 Anatoli Lunacharsky: The Tasks of the State Cinema in the RSFSR; Part 08 1920; Section 11 Vladimir Lenin: Art Belongs to the People. Conversation with Clara Zetkin; Part 09 1922: Introduction; Section 12 Vladimir Lenin: Directive on Cinema Affairs; Section 13 Anatoli Lunacharsky: Conversation with Lenin. I. Of all the Arts …; Section 14 Anatoli Lunacharsky: Conversation with Lenin. II. Newsreel and Fiction Film; Section 15 Grigori Kozintsev, Leonid Trauberg, Sergei Yutkevich and Georgi Kryzhitsky: Eccentrism; Section 16 Alexei Voznesensky: Open Letter to Nemirovich-Danchenko and Stanislavsky; Section 17 Lev Kuleshov: ‘Art’ Cinema; Section 18 Lev Kuleshov: Cinema as the Fixing of Theatrical Action; Section 19 Alexei Gan: The Cinematograph and Cinema; Section 20 Lev Kuleshov: Art, Contemporary Life and Cinema; Section 21 Dziga Vertov: We. A Version of a Manifesto; Section 22 Lev Kuleshov: Americanism; Section 23 Lev Kuleshov: Chamber Cinema; Section 24 Vladimir Mayakovsky: Cinema and Cinema; Section 25 Alexei Gan: The ‘Left Front’ and Cinema; Section 26 Alexei Gan: The Thirteenth Experiment; Part 10 1923: Introduction; Section 27 Alexei Gan: Two Paths; Section 28 Dziga Vertov: The Cine-Pravda; Section 29 Proletkino: Quasi-Theses; Section 30 Sergei Eisenstein: The Montage of Attractions; Section 31 Dziga Vertov: The Cine-Eyes. A Revolution; Section 32 Lev Trotsky: Vodka, the Church and the Cinema; Section 33 Russfilm Script Competition; Section 34 Viktor Shklovsky: Literature and Cinema (Extracts); Part 11 1924: Introduction; Section 35 Declaration of the Association of Revolutionary Cinematography; Section 36 Leonid Trauberg: The Red Clown to the Rescue!; Section 37 Alexei Gan: Recognition for the Cine-Eyes; Section 38 Lev Kuleshov: Mr West; Section 39> 39 Anatoli Lunacharsky: Revolutionary Ideology and Cinema – Theses; Section 40 Resolution of Thirteenth Party Congress on Cinema; Section 41 Dziga Vertov: The Cine-Pravda: A Report to the Cine-Eyes; Section 42 Sovna...
