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This book offers a wide-ranging exploration of Amram's work and influence, situating the composer in the context of today's international culture. It shows how Amram's proficiencies in spontaneous, on-stage music creation enriches his formal classical composing.
Inhaltsverzeichnis
Part I: Introductions
- How to Explain David Amram? by Dean Birkenkamp
- "All Joy" An Introduction to the Life-Artistry of David Amram, by Gary Lippman
Part II: David Amram’s Symphonic and Chamber Compositions
- Amram’s Concert Hall Compositions, by Dean Birkenkamp
- David Amram’s Chamber Music, by Elmira Darvarova
- Premiering New Amram Compositions, by Kenneth Radnofsky
- This Land: Symphonic Variations on a Song by Woody Guthrie, by Laura Schulkind
- Sir James Galway: Commissioning and Premiering Giants of the Night, by Keith Marshall
- Conducting Amram’s Violin Concerto, by JoAnn Falletta
- Letting an Orchestra Feel Free and Inspired: The Art of Amram’s Conducting, by Howard Wall
- A Promising Old Composer: The Power of Creativity in Later Life, by John Leland
- Beethoven to Boxing: Artistry in Two Worlds, by Larry Merchant
Part III: Opera and Theater Contributions of David Amram
- From Theater to Opera, by Dean Birkenkamp
- David Amram: A Jewish Life in Music: The Final Ingredient and other Important Compositions, by Jeff Janeczko
- The Essence of David Amram, by Keir Dullea
- Remembering the Premiere of Amram’s Opera Twelfth Night, by Christopher Alden and David Alden
- Filming Twelfth Night, by Lawrence Kraman
Part IV: Amram the Jazz Performer and Composer
- A Lifetime in Jazz, by Dean Birkenkamp
- David Amram’s Early Jazz Years and Collaborations, by Marc Myers
- Amram and Cuba: Varieties of Afro-Cuban and Latin Musics, by Arturo O’Farrill
- Innovations: Jamming with Amram Across the Decades, by Mark Morganelli
- David Amram is a Musical Instrument, by Malachy McCourt
- Now is the Time as Creative Manifestation of Consciousness,
by Hugh Ragin
- No More Walls: The Ever-Wider World of David Amram, by David Cole
Part V: The Songs of David Amram
- From Orchestral Compositions to Spontaneous Lyrics, by Dean Birkenkamp
- A Composer’s Way with Words, by Hassan Melehy
- The Songs of David Amram: Jazz, Classical, Film, and Operatic Compositions, by Gerald Bieritz
- Scat and Make-Up Songs: The Art of One-Time Only Rap Reporting, by David Amram
- Bourbon is Vegetarian, By Kurt Elling and David Amram
Part VI: The Whole Wide World of Amram’s Folk Performance
- Performing the World’s Music, by Dean Birkenkamp
- Melding Folk and Symphonic: Commissioning This Land, by Nora Guthrie
- Remembering Odetta: 40 Years of Midnight Adventures, with Kris Kristofferson, Ramblin’ Jack Elliot, and Others, by David Amram
- Peforming Folk Music in Many Venues, by John McEuen
- The Dean of Hangout-ology at the Woody Guthrie Folk Festival, by Deana McCloud
- A Unique Performer in the Folk World, by Barry Ollman
- Musical Adventures with David Amram, by Radoslav Lorkovic
- David Amram Doesn’t Play Music, by John Cooper
Part VII: Amram the Author—and His Collaborations with Writers
- David Amram’s Literary Endeavors, by Dean Birkenkamp
- Langston Hughes, Jack Kerouac, David Amram, by Ronald Martinetti
- Let Us Remember: Review of the Cantata by Langston Hughes and David Amram, by Paul Hertelendy
- Vibrations, Musical Differences, Life with Others, by Charles Lemert
- On Amram’s Book Upbeat: Nine Lives of a Musical Cat, by Frank McCourt
- "Life is Even More Fun at 90" Amram and the Kerouac Legacy, by Holly George Warren
Part VIII: Hollywood and Beyond: Amram’s Film Scores
- From the Village to Hollywood, by Dean Birkenkamp
- Frankenheimer, Sinatra, and the Scoring of The Manchurian Candidate, by Neil Hickey
- The Manchurian Candidate: The Novel, the Film, the Music, by Geoff Wills
- Cinema’s Elusive Musical Poet: Scoring Splendor in the Grass, by Steve Vertlieb
Part IX: Amram’s Legacy: Mixing Musical Styles and Performance Traditions
- Hearing a Singular Sound in the Universe, by Dean Birkenkamp
- Amram’s Musical Bouillabaisse, by Larry Kirwan
- At Home Around the World, by David Amram
- David Amram and Native American Musical Performance, by Matoaka Little Eagle
- Native Flutes and Friendship, by Louis Mofsie
- Diamonds in the Sidewalk: Kerouac, Amram, and the Bells of Hell, by Robin Hirsch
- The Village and the Man Who Makes It Live On, By Elizabeth Thomson
- An Icon of Inclusion and Pioneer of World Music, by Douglas Brinkley
Part X: Coda
- You are Only as Old as You Make Other People Feel, by David Amram
Über den Autor / die Autorin
Dean Birkenkamp has worked for 44 years in book publishing. Currently he is a Senior Editor with Routledge Publishers. He was the Founder and President of Paradigm Publishers, where he and his staff were fortunate to publish more than 800 books by leading scholars, journalists, musicians, and public intellectuals. An amateur pianist, he studied anthropology and music theory and composition at the University of Illinois—Champagne-Urbana. His previous book is Uncommon Sense from the Writings of Howard Zinn, with Howard Zinn and Wanda Rhudy.
Zusammenfassung
This book offers a wide-ranging exploration of Amram’s work and influence, situating the composer in the context of today’s international culture. It shows how Amram’s proficiencies in spontaneous, on-stage music creation enriches his formal classical composing.
