Fr. 45.00

Dealing Art on Both Sides of the Atlantic, 1860-1940

Englisch · Fester Einband

Versand in der Regel in mind. 4 Wochen (Titel wird speziell besorgt)

Beschreibung

Mehr lesen

Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply-from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research.

Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski.

Inhaltsverzeichnis

List of Illustrations
List of Contributors

1. Introduction, Lynn Catterson

The Artist as Dealer
2. The Many Hats of Mary Cassatt: Artist, Advisor, Broker, Tastemaker, Laura D. Corey
3. The Misses Williams in Salem and Rome, Jacqueline Marie Musacchio

Dealers Shaping and Influencing Taste
4. "A Public-Spirited Merchant": Samuel P. Avery, Art Dealer, Advisor, Philanthropist, Leanne Zalewski
5. Dealing with Cubism: Daniel-Henry Kahnweiler's Perilous Internationalism, Fae Brauer

Supply Created by Dealer
6. Charles Mather Ffoulke and the Market for Tapestries in Late Nineteenth-Century America, Denise M. Budd
7. The Art Dealer and the Devil: Remarks on the Relationship of Elia Volpi and Wilhelm von Bode, Patrizia Cappellini

Demand Created by Dealers
8. An Imaginary Italy on the Shores of Florida: Paul Chalfin, Vizcaya and the International Market for Italian Decorative Arts in 1910s, Flaminia Gennari-Santori
9. Selling French Modern Art in the American Market: César de Hauke as Agent of Jacques Seligmann & Co., 1925-1940, Sébastien Chauffour

The Role of Photographs in the Selling of Art
10. Stefano Bardini and C.F. Walker, His London Agent, Annalea Tunesi
11. Surrogates and Intermediaries: The Informational Role of Photographs in the Art Market, Alexandra Provo

The Bureaucratic Network
12. A Lesson in Loopholes: Stefano Bardini, and the Export of the Botticelli Frescoes from Villa Lemmi, Joanna Smalcerz

Über den Autor / die Autorin










Lynn Catterson, Ph.D. (2002) Columbia University. She has moved from the 15C and is currently working on the art market in 19C Florence from the point of view of production and social network via its preeminent dealer, Stefano Bardini.

Bericht

"The essays do indeed serve, as the editor hoped, to nuance the workings of the art market, showing that the actual sales and prices were the result of much careful negotiation and preparation." The Society for the History of Collecting, September 2017

Produktdetails

Mitarbeit Lynn Catterson (Herausgeber)
Verlag Brill
 
Sprache Englisch
Produktform Fester Einband
Erschienen 30.08.2017
 
EAN 9789004336971
ISBN 978-90-0-433697-1
Seiten 330
Abmessung 162 mm x 242 mm x 22 mm
Gewicht 776 g
Serien Studies in the History of Coll
Studies in the History of Collecting & Art Markets
Brill
Thema Geisteswissenschaften, Kunst, Musik > Kunst > Kunstgeschichte

Kundenrezensionen

Zu diesem Artikel wurden noch keine Rezensionen verfasst. Schreibe die erste Bewertung und sei anderen Benutzern bei der Kaufentscheidung behilflich.

Schreibe eine Rezension

Top oder Flop? Schreibe deine eigene Rezension.

Für Mitteilungen an CeDe.ch kannst du das Kontaktformular benutzen.

Die mit * markierten Eingabefelder müssen zwingend ausgefüllt werden.

Mit dem Absenden dieses Formulars erklärst du dich mit unseren Datenschutzbestimmungen einverstanden.