Soul-Folk

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. This book traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.>

Über den Autor / die Autorin

Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan’s Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.

Produktdetails

• Autoren: Ashawnta Jackson
• Verlag: Bloomsbury Academic
• Sprache: Englisch
• Produktform: Taschenbuch
• Erschienen: 31.10.2024
• EAN: 9798765103456
• ISBN: 9798765103456
• Seiten: 152
• Abmessung: 128 mm x 196 mm x 10 mm
• Serie: Genre: A 33 1/3 Series
• Themen: Geisteswissenschaften, Kunst, Musik > Musik > Musikgeschichte; USA, MUSIC / History & Criticism, North America, MUSIC / Genres & Styles / Folk & Traditional, c 1960 to c 1970, United States of America, USA, Folk & traditional music, Music reviews & criticism, The Americas, Music reviews and criticism, c 1970 to c 1980, Music: styles and genres, Music: styles & genres, MUSIC / Genres & Styles / Soul & R 'n B, Traditional and folk music