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Zusatztext Few books have had the wit or the daring to pose serious questions about the visual potency of 21st century conflict. Facing this challenge head on, this urgent, timely, and important publication examines the ambiguous, distributed and often invisible world of warfare with conviction and insight. It is compulsory reading for scholars of conflict and all those fascinated by the testimony of learned experience. Informationen zum Autor Kit Messham-Muir is Professor in Art in the School of Media, Creative Arts and Social Inquiry at Curtin University in Perth, Australia. His research interests include the art and visual culture of war, as well as the studio practice of contemporary artists. With Uroš Cvoro, he is co-author of Images of War in Contemporary Art: Terror and Conflict in the Mass Media (Bloomsbury, 2021) and author of Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq (2015). Uroš Cvoro is Associate Professor in Art Theory at UNSW Australia, Arts, Design & Architecture. His research interests include contemporary art and politics, cultural representations of nationalism, post-socialist and post-conflict art. His books include Transitional Aesthetics: Art at The Edge of Europe (2018) and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art: Terror and Conflict in the Mass Media (Bloomsbury, 2021). Monika Lukowska-Appel has worked with Kit Messham-Muir and Uros Cvoro as the Research Assistant on the Art in Conflict ARC project. Klappentext What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews.It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide.Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism. Vorwort An edited collection exploring the role contemporary art plays within conversations around war and imperialism, featuring interviews with practicing war artists. Zusammenfassung What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the ‘War on Terror’. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from intern...
