Sounds of Apocalypse - Music in Poland under German Occupation

This investigation of Polish, Jewish, and German sources demonstrates the roles of music in occupied Poland. Its former citizens had their access to music controlled by the Nazi Ministry of Propaganda. It was rationed as other goods, depending on racial (i.e. also legal) status. Official music performances served as a propagandistic tool to further divide the Nazi-segregated population. Music played clandestinely embodied resistance. It restored the sense of community and helped save musicians persecuted as Jews, like Wladyslaw Szpilman. The documents analyzed in the monograph confirm the dehumanization of prospective victims, mixed with a narcissistic self-righteous view of Nazi songs and propaganda ultimately led to the organized presence of music in the Holocaust sites.

Inhaltsverzeichnis

Nazi pseudo-musicology - Occupied Poland - Holocaust - Music in Occupied Poland - Nazi propaganda - music as resistance

Über den Autor / die Autorin

Katarzyna Naliwajek, PhD, works at the Institute of Musicology, University of Warsaw, Poland. She has focused her research on music during the Nazi-Soviet occupation of Poland, Polish music in the 20th century, and connections between music and politics.

Produktdetails

• Autoren: Katarzyna Naliwajek
• Mitarbeit: Maciej Golab (Herausgeber)
• Verlag: Peter Lang
• Sprache: Englisch
• Produktform: Fester Einband
• Erschienen: 28.02.2023
• EAN: 9783631881705
• ISBN: 978-3-631-88170-5
• Seiten: 354
• Abmessung: 154 mm x 24 mm x 215 mm
• Gewicht: 556 g
• Illustration: 71 Abb.
• Serie: Eastern European Studies in Musicology
• Thema: Geisteswissenschaften, Kunst, Musik > Musik > Sonstiges