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Inhaltsverzeichnis
Acknowledgements
Preface
1 Starting an Improvisation
2 The Mental State During an Improvisation
3 Listening to the Other Musicians, the Human Factor, the Strategies
4 Memory and Form
5 Process versus Aesthetic Result, Improvisation as a Tool to Make Music versus Music as a Tool to Improvise, Improvisation versus Composition
6 Talking about Improvisation and Music in General
7 Non-idiomatic Improvisation, Experimental Music, Genre Labels
8 Silence and Dynamics
9 Sounds as Material
10 Instrument and Technique
11 Solo Improvisation
12 The Concert Situation, the Audience, the Published Recordings
13 Some Political Issues
14 How I Came to Play This Music
15 How I Listen to Music, the Music I Listen to, Some Hidden Gardens
16 Miscellaneous
List of the Musicians Interviewed
An Ear for Discord: Improvise, They Say
Diagrams
Über den Autor / die Autorin
Bertrand Denzler is a well-known improvisational musician and active composer. He has worked with some of the most important international improvising musicians across Europe, North America, South America, the Middle East, the Far East and Australia, and published dozens of recordings with labels such as Potlatch, Matchless, Confront, Cathnor, DDS, Empty Editions, Moving Furnitures, and Ftarri.Jean-Luc Guionnet is a well-known improvisational musician and active composer. He has worked with some of the most important international improvising musicians across Europe, North America, South America, the Middle East, the Far East and Australia, and published dozens of recordings with labels such as Potlatch, Matchless, Confront, Cathnor, DDS, Empty Editions, Moving Furnitures, and Ftarri. is a well-known improvisational musician and active composer. He has worked with some of the most important international improvising musicians across Europe, North America, South America, the Middle East, the Far East and Australia, and published dozens of recordings with labels such as Potlatch, Matchless, Confront, Cathnor, DDS, Empty Editions, Moving Furnitures, and Ftarri.