Mehr lesen
Featured on 49th Shelf's Most Anticipated: 2023 Fall Fiction Preview"Things used to be easier, but even in those carefree days, the rules were in place for a reason. And that reason is: so we can all agree. So we can all have the same standard applied across the board. So there is no special treatment, which no one should receive. This is why we need the rules."The stories in
Avalanche combine humor with an earnest examination and indictment of white entitlement, guilt, shame, and disorientation in the wake of waking up to the reality of racism. Focusing on the perspective of white, cis, straight, and mostly middle-aged and middle-class characters, this collection shines a light on the obliviousness of white privilege, the violence of polite, quiet racism hiding just under the surface of mundane, everyday situations, and the anguished flailing of "well-intentioned white ladies" desperate to confirm their essential goodness at all costs. Westhead writes with compassion and empathy for both her frustrating and frustrated white protagonists and the racialized characters who encounter them, and uses humour not to comfortably distance white readers from the harmful behaviour of her self-absorbed protagonists, but to pull them in close to recognize—and reckon with—those familiar parts of themselves, and to become more aware of the insidious systems of white supremacy at work behind the scenes.
Über den Autor / die Autorin
Jessica Westhead is the author of the novels
Pulpy & Midge (Coach House Books) and
Worry (HarperCollins Canada), and the critically acclaimed short story collections
And Also Sharks and
Things Not to Do (Cormorant Books).
And Also Sharks was a
Globe & Mail Top 100 Book, one of Kobo’s Best Ebooks of 2011, and a finalist for the Danuta Gleed Short Fiction Prize, and
Worry was included on CBC Books’ Best Canadian Fiction of 2019 and the CBC Canada Reads Longlist. Jessica lives in Toronto with her family.
Zusammenfassung
Featured on 49th Shelf's Most Anticipated: 2023 Fall Fiction Preview
"Things used to be easier, but even in those carefree days, the rules were in place for a reason. And that reason is: so we can all agree. So we can all have the same standard applied across the board. So there is no special treatment, which no one should receive. This is why we need the rules."
The stories in Avalanche combine humor with an earnest examination and indictment of white entitlement, guilt, shame, and disorientation in the wake of waking up to the reality of racism. Focusing on the perspective of white, cis, straight, and mostly middle-aged and middle-class characters, this collection shines a light on the obliviousness of white privilege, the violence of polite, quiet racism hiding just under the surface of mundane, everyday situations, and the anguished flailing of "well-intentioned white ladies" desperate to confirm their essential goodness at all costs. Westhead writes with compassion and empathy for both her frustrating and frustrated white protagonists and the racialized characters who encounter them, and uses humour not to comfortably distance white readers from the harmful behaviour of her self-absorbed protagonists, but to pull them in close to recognize—and reckon with—those familiar parts of themselves, and to become more aware of the insidious systems of white supremacy at work behind the scenes.
