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Informationen zum Autor Michael Bliss, Senior Instructor in English at Virginia Tech, has worked as a newspaper film critic, a film festival associate director, copywriter for motion picture theaters in Minneapolis/St. Paul and Kansas City, technical editor on cinema, and American correspondent for the British magazine Making Better Movies. He is the author of eleven books including Invasions USA: The Essential Science Fiction Films of the 1950s (Rowman & Littlefield, 2014). Klappentext Through an examination of representative films from the director's Hong Kong and American periods, Michael Bliss demonstrates that Woo should be regarded as a predominantly religious director, in whose films action is the vehicle by virtue of which a concern with spirituality is dramatized. Contains a chapter on Chinese opera tradition as relates to Woo's films, an exclusive interview with John Woo, and a complete filmography. Zusammenfassung While John Woo is regarded as a master action director! little attention has been paid to the manner in which Woo's films reflect the director's religious and ethical concerns. This work shows that Woo should be regarded as a predominantly religious director. Inhaltsverzeichnis Chapter 1 Preface Chapter 2 Introduction Chapter 3 1 The Grand Nature of Chinese Opera Chapter 4 2 Bearing with Violence Chapter 5 3 Kept Promises Chapter 6 4 A Study in Vision Chapter 7 5 Growing Up Criminal Chapter 8 6 Shaken and Stirred Chapter 9 7 An American Trio Chapter 10 8 Simply Impossible Chapter 11 Appendix Chapter 12 Filmography Chapter 13 Index Chapter 14 About the Author
