Mehr lesen
Includes the plays Trafford Tanzi, The Dramatic Attitudes of Miss Fanny Kemble and The Seduction of Anne Boleyn Trafford Tanzi began as a pub show in Liverpool. It has since been performed all over the world and translated into a dozen languages. It plays out the story of a young woman's life in the arena of the wrestling ring and its feminist themes are dealt with in the outrageously entertaining style of a wrestling match. In
The Dramatic Attitudes of Miss Fanny Kemble, Claire Luckham looks at both slavery and the nineteenth-century acting profession through the life of a remarkable woman.
The Seduction of Anne Boleyn, recently performed at the Nuffield Theatre in Southampton, is a haunting love story and a study of power in human relationships.
Über den Autor / die Autorin
Claire Luckham was born in Kenya in 1944 and educated in boarding schools in Dorset & Wiltshire. She trained at the Central School of Speech & Drama as a stage manager and worked at Ipswich and Watford before joining RSC. Her many stage plays include The Choice, Fish Riding Bikes, Dogspot, Auntie Karr’s Frocks and a musical adaptation of Defoe’s Moll Flanders. She has also adapted five short stories by Alice Munro for BBC Radio 4, under the title Open Secrets.
Zusammenfassung
Includes the plays Trafford Tanzi, The Dramatic Attitudes of Miss Fanny Kemble and The Seduction of Anne Boleyn
Trafford Tanzi began as a pub show in Liverpool. It has since been performed all over the world and translated into a dozen languages. It plays out the story of a young woman’s life in the arena of the wrestling ring and its feminist themes are dealt with in the outrageously entertaining style of a wrestling match. In The Dramatic Attitudes of Miss Fanny Kemble, Claire Luckham looks at both slavery and the nineteenth-century acting profession through the life of a remarkable woman. The Seduction of Anne Boleyn, recently performed at the Nuffield Theatre in Southampton, is a haunting love story and a study of power in human relationships.
Vorwort
Luckham's plays are both gritty and comic, often historical and/or musical.
