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Hirszenberg deserves to be more widely known because of the intertwining of universal modernism and Jewish themes in his work. While reflecting artistically on Jewish life and tradition, he demonstrated a great breadth of concerns, and his style was influenced by the different artistic modes he encountered. This fully illustrated study offers an intimate picture of his oeuvre.
Über den Autor / die Autorin
Richard I. Cohen is Emeritus Professor in the Department of Jewish History and Contemporary Jewry at the Hebrew University of Jerusalem. He has co-curated two major art-historical exhibitions, one in New York (From Court Jews to the Rothschilds) and one in Paris (Le Juif Errant: Un Témoin du Temps). He is the author of Jewish Icons: Art and Society in Modern Europe, which was the recipient of the Arnold Wischnitzer Prize for the best book in Jewish history (1999), and has edited and co-edited over fifteen books, many focusing on aspects of Jewish art and history. Two of his co-edited works are published by the Littman Library: The Jewish Contribution to Civilization: Reassessing an Idea (2007), and Insiders and Outsiders: Dilemmas of East European Jewry (2010).
Mirjam Rajner is Associate Professor and Chair of the Department of Jewish Art at Bar-Ilan University. Since 2005 she has been co-editor of Ars Judaica, the leading journal on Jewish art and visual culture. She has published numerous articles on Marc Chagall and modern central and east European Jewish art in exhibition catalogues, edited volumes, and academic journals, such as East European Jewish Studies, Images, Jewish Art, Nashim, Studia Rosenthaliana, and Studies in Contemporary Jewry. She is the author of Fragile Images: Jews and Art in Yugoslavia,1918-1945 (2019), and is currently co-editing a collection of articles entitled Crossing Borders: Jewish History and Culture in Southeastern Europe.
Zusammenfassung
Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin. Born into a traditional Jewish family in Lódz in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling.
