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Inhaltsverzeichnis
Dedication
Acknowledgements
List of Illustrations
1. Plautus, Curculio, and Roman Comedy: The Basics
2. What’s Going on in Curculio
3. Major Themes and Humor in Curculio
4. Curculio in Performance: Music, Song, and Dance
5. Curculio in Performance: Stagecraft
6. Play inside and outside the Play: Curculio and Metatheater
7. The Speech of the Choragus
8. Curculio and Roman Life
9. Curculio after Plautus
Key Terms and Definitions
Notes and Reading Recommendations
Index
Über den Autor / die Autorin
T. H. M. Gellar-Goad is Professor of Classics and Denton Fellow at Wake Forest University, USA. He is author of five books, including Masks (2024), A Commentary on Plautus’ Curculio (2024) and Plautus: Curculio (Bloomsbury Academic, 2021).
Zusammenfassung
This is the first book-length study of Plautus' shortest surviving comedy, Curculio, a play in which the tricksy brown-nosed title character (“The Weevil”) bamboozles a shady banker and a pious pimp to secure the freedom of the enslaved girl his patron has fallen for while keeping her out of the clutches of a megalomaniacal soldier. It all takes place in the Greek city Epidaurus, the most important site for the worship of the healing god Aesculapius, an unusual setting for an ancient comedy. But a mid-play monologue by the stage manager shows us where the action really is: in the real-life Roman Forum, in the lives and low-lifes of the audience.
This study explores the world of Curculio and the world of Plautus, with special attention to how the play was originally performed (including the first-ever comprehensive musical analysis of the play), the play’s plots and themes, and its connections to ancient Roman cultural practices of love, sex, religion, food, and class. Plautus: Curculio also offers the first performance and reception history of the play: how it has survived through more than two millennia and its appearances in the modern world.
Vorwort
An introductory study of Plautus’ shortest comedy with a focus on performance, history and society.
Zusatztext
This is a lovely book, meticulously written, but with a joy that is as rare in contemporary scholarship as it is refreshing.
