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Inhaltsverzeichnis
Acknowledgements
List of Illustrations
Introduction
Chapter One: Self-Portraits, Painted and Written
Chapter Two: The Artist as a Young Colonial Girl
Chapter Three: Death of the Mother
Chapter Four: The Voyage Out
Chapter Five: Many Roads Meet Here
Chapter Six: Jack McKinney: the equal heart and mind
Chapter Eight: Lawren Harris: where the soul penetrates
Chapter Nine: Shadow Sisters: Kath and Sophie
Chapter Ten: Late Love, Late Style
Conclusion
Epilogue
Works Cited
Über den Autor / die Autorin
Anne Collett is Associate Professor of English at the University of Wollongong, Australia. She has published widely on postcolonial poetry with particular focus on women’s writing from Australia, Canada and the Caribbean. She has published most recently in the area of environmental humanities across the 19th to 21st centuries. A/Prof Collett edited Kunapipi: journal of postcolonial writing from 1999-2012 – an interdisciplinary journal dedicated to creative and scholarly work on literature, culture, visual and performative arts. (See https://ro.uow.edu.au/kunapipi/).Dorothy Jones is Associate Professor of English at the University of Wollongong, Australia. She studied at the universities of Otago (NZ) Adelaide (Australia) and Oxford and is an honorary fellow in the Faculty of Law, Humanities and The Arts at the University of Wollongong. She has published widely in the area of postcolonial literature with special emphasis on women writers .
Zusammenfassung
Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's.
Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work.
Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.
Vorwort
This book is a comparative portrait of two modern female artists of the British colonies – Australian poet, Judith Wright (1915-2000) and Canadian painter, Emily Carr (1871-1945).
Zusatztext
This is a fascinating book about two colonial modernist women – an artist/author and a poet – both of whom are long overdue fresh critical assessment. Collett and Jones present a compelling narrative of the way in which the creative endeavours of these two pioneering women influenced the path of artistic modernism in the colonies. The volume is steeped in meticulous scholarship yet written with a deceptively light touch which makes it a pleasure to read.
