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Inhaltsverzeichnis
Introduction
1. Vulnerable Hypermasculinity
2. Dystopia and Class War
3. Sidelining Women
4. 'White Folks Ain't Planning for Us to Be Here'
5. Redefining Masculinity in Times of "Crisis"
Afterword: The gender politics of Science Fiction Blockbusters
Bibliography
Index
Über den Autor / die Autorin
Marianne Kac Vergne is Associate Professor of American Studies at the Université de Picardie Jules Verne, France. Her research interests are Masculinity, Femininity, Hollywood genres and Science Fiction. She is author of Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future (I. B. Tauris, 2017).
Zusammenfassung
If science fiction stages the battle between humans and non-humans, whether alien or machine, who is elected to fight for us? In the classics of science fiction cinema, humanity is nearly always represented by a male, and until recently, a white male. Spanning landmark American films from Blade Runner to Avatar, this major new study offers the first ever analysis of masculinity in science fiction cinema. It uncovers the evolution of masculine heroes from the 1980s until the present day, and the roles played by their feminine counterparts. Considering gender alongside racial and class politics, Masculinity in Contemporary Science Fiction Cinema also situates filmic examples within the broader culture. It is indispensable for understanding science fiction and its role in contemporary cultural politics.
Vorwort
First full account of men & masculinity in modern science fiction cinema.
Zusatztext
Marianne Kac-Vergne’s Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future is a brilliant analysis of contemporary science fiction cinema. It will appeal to academics and students in film studies, gender studies, and cultural studies alike: its smart contextualisations, subtle commentary of intertexts and astute close readings, combined with strong intersectional analyses of the masculinity in these well-known films will prompt re-viewing in another light. Broader audiences will find this is a highly enjoyable read, with a dose of wit and wry humour. This is truly a must-read for anyone who watches, studies, or indeed, makes science fiction films today.
