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Finalist for the L.A. Times Book Prize in PoetryAn incisive poetic sequence that tracks the relationship between migration and complex traumas in this unsparing critique of the unjust conditions that brought us the global pandemic. Ante body is a poetics of [un]rest. A project that started as an exploration of how the psychological impacts of migration and complex traumas manifest as autoimmune disease and grew into a critique of the ongoing unjust conditions that brought on the global pandemic. Continuing her use of the invented poetic form, the Arabic, and integrating Fred Moten¿s concept of ¿the ANTE,¿ Helal creates an elliptical reading experience in which content and form interrogate the inner workings of patriarchy, capitalism, nationalism, and globalism.
Über den Autor / die Autorin
Marwa Helal is the author of
Ante body (Nightboat Books, 2022),
Invasive species (Nightboat Books, 2019) and the chapbook
I AM MADE TO LEAVE I AM MADE TO RETURN (No, Dear, 2017). Helal is the winner of a 2021 Whiting Award and has been awarded fellowships from the Jerome Foundation, NYFA/NYSCA, Poets House, and Cave Canem among others. Born in Al Mansurah, Egypt, she lives in Brooklyn, NY.
Zusammenfassung
Finalist for the L.A. Times Book Prize in Poetry
An incisive poetic sequence that tracks the relationship between migration and complex traumas in this unsparing critique of the unjust conditions that brought us the global pandemic.
Ante body is a poetics of [un]rest. A project that started as an exploration of how the psychological impacts of migration and complex traumas manifest as autoimmune disease and grew into a critique of the ongoing unjust conditions that brought on the global pandemic. Continuing her use of the invented poetic form, the Arabic, and integrating Fred Moten’s concept of “the ANTE,” Helal creates an elliptical reading experience in which content and form interrogate the inner workings of patriarchy, capitalism, nationalism, and globalism.
Zusatztext
“The genre-bending second book from Helal offers a poetic sequence that examines systemic injustice and the psychological effects of contemporary inequalities and calamities. In lines that eschew standard punctuation and syntax rules, the poet circumambulates the topics of capitalism and patriarchy, using the white space on the page to self-consciously push the boundaries of poetic form.”—Publishers Weekly
“The Whiting Award–winning Marwa Helal’s Ante body (Nightboat, May) uses daring language to interrogate the impact of migration in a globalized, capitalist world.”—Barbara Hoffert, Library Journal
In Marwa Helal’s Ante body we are pulled into a tidal pool swirling and remixing language from the shores and margins. Stretching from Egypt to the United States, Helal’s work breaches borders as they ought to be breached, refusing to recognize their validity and limitations. A treatise intended on speaking to notions of “power” from the gendered, raced, and colonized 'subject,' Ante body is driven by a voice embodied in the before and after. Full with humor and tilt, Ante body insists on interrogating how we come to know the present world and what we might need to cultivate a new ontology.”—Matthew Shenoda
“Helal is the MC and the chorus in Ante body, opening the veil to a private, choral language of crossing and being crossed. Ante body listens to and speaks 'live from the light unobserved,' the sound of the expansion of the universe, the underground illuminated communication of trees. I’m made more certain of the unrootedness of language, its recursive mysticism put on display within these poems. These poems are prayer and talisman against the spell of language that seeks limitation, control.”—Taylor Johnson
"Marwa Helal mines the interior decolonized mind and heart in an invented form that challenges us to read, think, and feel differently; Ante body is a memorable and ferocious argument for radical fugitivity."—Cathy Park Hong
