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Informationen zum Autor Kathryn Brown is a lecturer in art history and visual culture at Loughborough University, UK. Zusammenfassung The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage. Inhaltsverzeichnis List of Figures ; List of Table ; List of Contributors ; Introduction ( Kathryn Brown ); Part I: Histories and Critical Debates ; 1 Digital Methods and the Historiography of Art ( Paul B. Jaskot ); 2 Blind Spot: Information Visualization and Art History ( Johanna Drucker ); 3 The Digital Transformation of Art History ( Harald Klinke ); 4 Feminist Digital Art History ( Kathryn Brown and Elspeth Mitchell ); 5 Slow Digital Art History and KUbism : Or, Situation Awareness and the Promise of Open-World Games ( Koenraad Brosens, Bruno Cardoso, and Fred Truyen ); Part II: Archives, Networks, and Maps ; 6 Tangled Metaphors: Network Thinking and Network Analysis in the History of Art ( Matthew D. Lincoln ); 7 Digital Humanities for a Spatial, Global, and Social History of Art ( Béatrice Joyeux-Prunel ); 8 Mapping Paintings, or How to Breathe Life Into Provenance ( Jodi Cranston ); 9 Qualitative Approaches to Network Analysis in Art History: Research on Contemporary Artists’ Networks ( Sanja Sekelj ); 10 Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptions ( Susan Elizabeth Gagliardi ); 11 X-Reception: Re-mediating Trans- Feminist and Queer Performance Art ( T.L. Cowan ); 12 Digital Methods and the Study of the Art Market ( Pamela Fletcher and Anne Helmreich ); 13 Noise Management in the Archival Ecosystem: Debating Principles for Classification ( Anna Dot and Pablo Santa Olalla ); Part III: Museums: Real, Virtual, and Augmented ; 14 Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and Collaborations ( Katherine R. Tsiang ); 15 A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing Resource ( Emma Stanford ); 16 A Service-Orientation and Open-Source Approach to Developing Virtual Museums ( Martin White and Ben Jackson ); 17 Art History, Heritage Games, and Virtual Reality ( Erik Champion and Anna Foka ); 18 Art With a Lifespan: Digital Technologies and the Preservation of BioArt ( Christl Baur ); 19 The Expanding Role of Digitized Collections: The Medici Archive ( Alessio Assonitis ); 20 Digital Languages for Art History: Audience Engagement, Virtual and Augmented Reality ( Stefania De Vincentis and Luca Nicolò Vascon ); Part IV: Computational Techniques for Analyzing Artworks ; 21 Curation, Content, Creation: Computer Approaches to the Fine Arts ( Javier de la Rosa and Juan-Luis Suárez ); 22 Computerized Analysis of Paintings ( James Z. Wang, Baris Kandemir, and Jia Li ); 23 Digital 3D Modeling for the History of Art ( Amy Jeffs ); 24 Metadata, Material Culture, and Global Art History ( Robert Wellington ); 25 Image Processing and Computer Vision in the Field of Art History ( Nuria Rodríguez-Ortega ); 26 Pointers and Proxies: Thoughts on the Computational Modeling of the Phenomenal World ( Alison Langmead and David Newbury ); 27 Approaching Aby Warburg and Digital Art History: Thinking Through Images ( Amanda Du Preez ); 28 Analyzing Gesture in Digital Art History ( Leonardo Impett ); 29 Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice’s White Rabbit and the Mad Tea Party ( Rosário Salema de Carvalho, Rafaela Xavier, and Inês Leitão ); Part V: Digital Resources, Publication, and Education ; 30 The Databas...
