Fr. 55.10

Urban Formalism - The Work of City Reading

Englisch · Taschenbuch

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Beschreibung

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Urban Formalism radically reimagines what it meant to "read" a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity.

This book not only provides an original cultural history of forms. It posits a new form of urban history, comprising the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.

Inhaltsverzeichnis










Introduction | 1

1 Strong Reading, or the Literary Conversion of the Urban | 17

2 Reading the Urban Form of Fire | 46

3 The Revolutionary Formalism of France | 72

4 Photography and the Image of the City | 96

Afterword | 124

Acknowledgments | 127

Notes | 131

Bibliography | 149

Index | 179


Über den Autor / die Autorin










David Faflik is Professor of English at the University of Rhode Island. A specialist in nineteenth-century American literature and culture, he is the author of Boarding Out: Inhabiting the American Urban Literary Imagination, 1840-1860 (Northwestern University Press, 2012), Melville and the Question of Meaning (Routledge, 2018), and Transcendental Heresies: Harvard and the Modern American Practice of Unbelief (University of Massachusetts Press, 2020).

Zusammenfassung

This book examines how the city peoples of New York and Paris interpreted their urban surroundings during the middle decades of the nineteenth century. At the center of this examination are the literary, material, political, and visual forms which afforded contemporaries new ways of “reading” the modern metropolis.

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