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Inhaltsverzeichnis
Notes on Contributors xi
Editors' Notes xxi
Foreword xxiii
Preface xxix
Acknowledgments xxxv
Glossary xxxvii
Part I Fellini and Friends 1 1 Introduction 3
Marguerite Waller and Frank Burke 2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica 13
Frank Burke (with Marita Gubareva) 3 Fellini: Backstory and a Dream 27
Goffredo Fofi 4 A Certain Freedom in Filmmaking 31
Lina Wertmüller 5 A Bit of Everything Happened: My Experience of
La dolce vita 35
Valeria Ciangottini 6 Fellini a Casa Nostra 37
Carlo and Luca Verdone Part II Beginnings, Inspirations, Intertexts 41 7 Neorealism Masked: Fellini's Films of the 1950s 43
Stefania Parigi 8 Fellini's Graphic Heritage: Drawings, Comics, Animation, and Beyond 59
Marco Bellano 9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and
Il libro dei sogni 79
Erika Suderburg 10 Fellini and Esotericism: An Ambiguous Adherence 95
Federico Pacchioni 11 Circo Fellini 109
Adriano Aprà 12 Fellini's Sense of Place 117
John Agnew 13 "Il viaggio di G. Mastorna": Fellini
Entre Deux Morts 129
Alessandro Carrera 14 An "Incapacity to Affirm": Fellini's Aesthetics and the Decadent Movement 141
Marita Gubareva 15 Fellini and Fashion, a Twöway Street: An Interview with Gianluca Lo Vetro 153
The Editors Part III Collaborations 163 16 Ennio, Tullio, and the Others: Fellini and His Screenwriters 165
Giaime Alonge 17 Fellini and His Producers: Strange Bedfellows 177
Barbara Corsi and Marina Nicoli 18 Masina and Mastroianni: Reconfiguring C. G. Jung's
Animus and
Anima 191
Victoria Surliuga Part IV Aesthetics and Film Language 205 19 "Io non me ne intendo": Fellini's Relationship to Film Language 207
Marco Vanelli 20 Fellini's Visual Style(s): A Phenomenological Account 223
Hava Aldouby 21 The Liquid Hyperfilm: Fellini, Deleuze, and the Sea as Forza Generatrice 237
Amy Hough¿Dugdale 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251
Antonella Sisto 23 Fellini and the Aesthetics of Intensity 267
Paolo Bertetto 24
Egli Danza: Fellini's Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279
Vito Zagarrio Part V Contemporary Dialogues 293 25 Remote Control Politics: Federico Fellini and the Politics of Parody 295
Kriss RavettöBiagioli 26 "
Il Maestro" Dismantles the Master's House: Fellini's Undoing of Gender and Sexuality 311
Marguerite Waller 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331
Shelleen Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347
Elena M. Past Part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy 363
Nicola Bassano 30 Fellini's Reception in France 377
Albert Sbragia 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391
Rebecca Bauman 32 Fellini Remixed: AnglöAmerican Film and Television Appropriations 403
Frank Burke 33
Il ritorno in patria: From Rimini to Winnipeg by Way of the Alps 419
Russell J. A. Kilbourn 34 Fellini and South Asian Cinemas 425
Esha Niyogi De 35 Interview with Tanvir Mokammel 429
Esha Niyogi De 36 Roma, Fellini, and Me 433
Amara Lakhous 37 Fellini and Turkey: Influence and Image 435
Cihan Gündödu 38 Fellini in Japan 439
Earl Jackson 39 Fellini in Russia 445
Naum Kleiman 40 Fellini in the Cuban Context 451
Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez Part VII Short Takes on Individual Films 455 41
Lo sceicco bianco (
The White Sheik 1952) 457
Dom Holdaway 42
La strada (1954) 461
Giuseppe Natale 43
Le notti di Cabiria (
Nights of Cabiria)-Cabiria in the Classroom: Teaching Fellini in the Twenty¿first Century 465
Áine O'Healy 44
La dolce vita (1960) 471
Mark Nicholls 45 Oh, My
8¿ 475
Caroline Thompson 46
Giulietta degli spiriti (
Juliet of the Spirits): A Twenty¿First Century Users' Guide 479
Erika Suderburg 47
Fellini ¿
Satyricon 483
Cristina Villa 48
Roma: Amor Through the Looking¿Glass 487
Rebecca West 49
Il Casanova di Federico Fellini (
Fellini's Casanova) in the Age of #MeToo 491
Alberto Zambenedetti 50
Prova d'orchestra (
Orchestra Rehearsal) and
E la nave va (
And the Ship Sails On) 495
John Paul Russo 51
Intervista: There are No Rules 499
Elan Mastai Appendices Foundations and Archives for Fellini Research 503 Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505
Marco Andreucci Appendix B Additional Archival Sources 507
The Editors Index, Terms and Issues 511
Index, Names and Titles 521
Über den Autor / die Autorin
Frank Burke is Professor Emeritus at Queen's University, Canada. He is editor of the
Wiley Blackwell Companion to Italian Cinema and author of several books on Federico Fellini.
Marguerite Waller is Professor Emerita of Comparative Literature and Gender and Sexuality Studies at the University of California, Riverside. She has co-edited volumes in both feminist studies and cinema studies, including
Federico Fellini: Contemporary Perspectives and
Postcolonial Cinema Studies. Marita Gubareva is a freelance researcher and journalist based in Rome. Her research interests include seventeenth-century and late nineteenth-century aesthetics and Italian cinema.
