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Informationen zum Autor Beth Carroll, PhD, lectures in Film and Literature at the University of Southampton. K. J. Donnelly is a Reader in Film Studies at the University of Southampton. Klappentext NOT AUTHOR APPROVED Contemporary Musical Film Edited by Kevin J. Donnelly and Beth Carroll Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre. Beth Carroll, PhD, lectures in Film and Literature at the University of Southampton K. J. Donnelly is a Reader in Film Studies at the University of Southampton Zusammenfassung This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino’s Kill Bill (2003/04). Inhaltsverzeichnis Reimagining the Contemporary Musical in the Twenty First Century; K. J. Donnelly and Beth CarrollPart One: Original MusicalsAesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris; Craig HatchFilm and the Twilight of Rock (Rock is Dead and Film killed It) Nails in Rock's Coffin: Post-Millennial Rock Musicals; K. J. DonnellyTeam America: World Police: Duplicitous Voices of the Socio-Political Spy Musical; Jack Curtis DubowskyThe Anti-Musical or Generic Affinity: Is there anything left to say?; Beth Carroll'Is this real enough for you?': Lyrical articulation of The Beatles' songs in Across the Universe; Stephanie Fremaux 'Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen; Ryan BunchPart Two: Stage to ScreenStar quality? Song, celebrity, and the jukebox musical in Mamma Mia!; Catherine Haworth Beyond the Barricade: Adapting Les Misérables for the Cinema; Ian Sapiro Part Three: Musicals By Another NameO' Brother, Where Art Thou? The Coen Brothers and the musical genre contamination; Stefano Baschiera Racing in the Beat: Music in the Fast & Furious Franchise; Todd Decker Kill Bill to the Beat: Exploring Quentin Tarantino as a musical filmmaker; Geena Brown ...
