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Esther Gabara is E. Blake Byrne Associate Professor of Romance Studies and Associate Professor in the Department of Art, Art History & Visual Studies at Duke University. Faculty guest curator of Pop América, 1965-1975, she is the author of Errant Modernism: The Ethos of Photography in Mexico and Brazil, also published by Duke University Press.
Inhaltsverzeichnis
Directors' Foreword 6
Curator's Acknowledgments 8
Contesting Freedom / Esther Gabara 10
Plates: Welcome to América 28
Pop Goes Conceptual: Visual Language in América / Camila Maroja 42
Plates: Consuming América 58
Revolutionary Currents: Pop Design Between Cuba, Mexico, and California / Jennifer Josten 72
Plates: Fashioning América 88
Plates: Liberating América 108
Printed Matters / Roberto Tejada 124
Plates: Mediating América 138
Pop Writing in América: Between Art Criticism and Theory / Natalia de la Rosa 158
Defilement, Defacement, and Disfiguration / Sergio Delgado Moya 172
Plates: Facing América 186
The Art of Provocation / Rodrigo Alonso 196
Robert Indiana's Study for Viva Hemisfair / Lyle W. Williams 198
Notes on Pop Art in Mexico / Pilar García 200
Contributor Biographies 202
Exhibition Checklist 206
Lenders to the Exhibition 214
Museum Staff and Board Members 215
Über den Autor / die Autorin
Esther Gabara is E. Blake Byrne Associate Professor of Romance Studies and Associate Professor in the Department of Art, Art History & Visual Studies at Duke University. Faculty guest curator of Pop AmÉrica, 1965-1975, she is the author of Errant Modernism: The Ethos of Photography in Mexico and Brazil, also published by Duke University Press.
Zusammenfassung
This bilingual, fully illustrated catalogue accompanies the Nasher Museum of Art at Duke University's exhibition Pop América, 1965–1975, which presents a vision of Pop art across the Americas as a whole.
