Shakespeare in the North - Place, Politics and Performance in England and Scotland

'In Charlotte Bronte's Shirley, the ruthless mill owner learns his disastrous industrial strategy from Coriolanus. The excellent contributors to Shakespeare in the North expand this fruitfully antagonistic relationship, placing England's national poet to the north of traditional centres of culture and replacing Stratford, London, Arden and Windsor with Blackpool, Edinburgh, Northumberland and Tyneside.'
Emma Smith, University of Oxford

Presents fresh perspectives on Shakespeare's representations of and in the 'North', past and present

This exciting collection of original essays critically assesses the significance of locality in Shakespearean plays. Considering how Shakespeare and his contemporaries understood the 'North', it brings together diverse voices to define what the 'North' meant and means in relation to Shakespeare. The book also situates Shakespeare's works alongside less canonical texts and media, as well as detailed case studies of new material from rich but rarely-used local, municipal and performance archives. It provides an opportunity to critically reflect on links and differences between the past and present, England and Scotland, the local and the global.

Adam Hansen is Senior Lecturer in English at Northumbria University.

Cover image: © Adam Hansen

Cover design:

[EUP logo]
edinburghuniversitypress.com

ISBN 978-1-4744-3592-5
Barcode

Inhaltsverzeichnis

Acknowledgements
Notes on Contributors
Introduction, Adam Hansen

I: Shakespeare and the Early Modern North

1. Shakespeare's Northern Blood: Transfusing Gorboduc into Macbeth and Cymbeline, Paul Frazer



2. 'Here are strangers near at hand': Anglo-Scottish Border Crossings Pre- and Post-Union, Steve Veerapen



3. Shakespeare, King James and the Northern Yorkists, Richard Stacey



4. North by North-West: Shakespeare's Shifting Frontier, Lisa Hopkins


II: Performing Shakespeare in the North


5. The People's Shakespeare: Place, Politics, and Performance in a Northern Amateur Theatre, Adam Hansen



6. Only Northerners need apply? Northern Broadsides and 'no-nonsense' Shakespeare, Caroline Heaton



7. Shakespeare and Blackpool: The RSC A Midsummer Night's Dream (2016): A Play for the Nation?, Janice Wardle



8. William the Conqueror: The Only Shakescene in a Country, Richard Wilson


III: Appropriating Shakespeare in the North


9. 'What is Shakespeare to Manchester'?: Shakespearean Engagement in The North at the Turn of the Twentieth Century, Monika Smialkowska



10. A Road by Any Other Name: Heaton History Group, a North East suburb, and Shakespeare, Chris Jackson



11. Lancastrian Shakespeares: Hamlet and King Lear in North West England (2005-2014), Liz Oakley-Brown



12. Shakespeare's Cheek: Macbeth, Dunsinane and the Jacobean Condition, James Loxley

Postscript: News from the North, Willy Maley

Über den Autor / die Autorin

Adam Hansen is Senior Lecturer in English at Northumbria University. He is the author of Shakespeare and Popular Music (Continuum, 2010) and co-editor of several collections, including Shakespearean Echoes, with Kevin J. Wetmore, eds. (Palgrave, 2015) and The White Devil: A Critical Reader, with Paul Frazer, eds. (Bloomsbury, 2016). He is on the editorial board of This Rough Magic, and Reviews Editor for English: The Journal of the English Association.

Zusammenfassung

This exciting collection of original essays critically assesses the significance of locality in Shakespearean plays.

Produktdetails

• Autoren: Adam Hansen, Adam Holman Hansen, Hansen Adam
• Mitarbeit: Adam Hansen (Herausgeber), Megan Holman (Herausgeber)
• Verlag: Edinburgh University Press
• Sprache: Englisch
• Produktform: Fester Einband
• Erschienen: 31.12.2020
• EAN: 9781474435925
• ISBN: 978-1-4744-3592-5
• Seiten: 352
• Themen: Belletristik > Lyrik, Dramatik > Dramatik; Geisteswissenschaften, Kunst, Musik > Sprach- und Literaturwissenschaft > Allgemeine und Vergleichende Literaturwissenschaft