Mehr lesen
This book re-evaluates the relationship between Renaissance dramatists and literary posterity by examining their work in relation to post-Reformation ideas about memorialization.
Inhaltsverzeichnis
Introduction: 'raptures of futurity'; 1. 'Let all things end': Marlowe's immortality; 2. Jonson's textual monument; 3. Webster's 'worthyest monument': the problem of posterity in The Duchess of Malfi; 4. 'Mocking life': preemptive commemoration in The Winter's Tale; 5. Fletcher's future: dynasty and collaborative posterity in Henry VIII; Coda: what they hath left us; Select bibliography; Index.
Über den Autor / die Autorin
Brian Chalk is Assistant Professor of English at Manhattan College, New York. He has published essays on early modern drama and culture in journals including Studies in Philology and Studies in English Literature, 1500–1900.
Zusammenfassung
Re-evaluating the relationship between Renaissance dramatists and literary posterity, this book centres on the question of how writers attempted to cope with mortality, with a particular focus on drama and the building of monuments. It will interest scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history.