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'A fascinating and overdue study. This book demonstrates the multiple different contexts out of which the horror film was born. Essential reading for anyone interested in the history of the horror film.'
Mark Jancovich, University of East Anglia
'This is a meticulous study of the intermedial roots and manifestations of horror-themed cinema in all its varieties prior to 1915. The depth and scope of Rhodes' erudite scholarship make this an indispensable read for everyone interested in one of the most persistent features of American cinema of all ages: horror.'
Jan Olsson, Stockholm University
Although early cinema has long been a key area of research in Film Studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and longunseen illustrations, Gary D. Rhodes examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and to show how that context established an amorphous structural foundation for films produced between 1895 and 1915.
Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, The Birth of the American Horror Film is the first major study dedicated to this vital but often overlooked subject.
Gary D. Rhodes serves as MA Convenor at Queen's University Belfast. He is currently writing a monograph entitled The Birth of the American Horror Film: Volume Two, 1916-1931.
Cover image: from the illustrated song Ghost of the Violin (Scott and Van Altena, 1912), published with thanks to the Marnan Collection, LLC, of Minneapolis, Minnesota
Cover design: Workhaus
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edinburghuniversitypress.com
ISBN 978-1-4744-3085-2 [PPC]
ISBN 978-1-4744-3086-9 [cover]
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Inhaltsverzeichnis
Acknowledgements; Introduction; Chapter 1: Literature; Chapter 2: Theatre; Chapter 3: Visual Culture; Chapter 4: Moving Pictures; Chapter 5: Devils; Chapter 6: Witches; Chapter 7: Ghosts; Chapter 8: Supernatural Creatures; Chapter 9: Death, Murder, and Execution; Chapter 10: Evolution and Devolution; Chapter 11: The Other(s); Chapter 12: The Powers of the Mind; Chapter 13: Mad Scientists; Chapter 14: American Literature Onscreen; Chapter 15: Exhibition and Reception
Über den Autor / die Autorin
Gary D. Rhodes is Head of Film & Mass Media at the University of Central Florida. He is the author of Lugosi (1997), White Zombie: Anatomy of a Horror Film (2002), Emerald Illusions: The Irish in Early American Cinema (2012) and The Perils of Moviegoing in America (2012). Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004). Currently he is at work on a history of the American horror film to 1915, as well as a biography of William Fox.
Zusammenfassung
The Birth of the American Horror Film examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915.
