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In this first study in English of a master of Polish cinema, Annette Insdorf explores Has's thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski,
Double Lives, Second Chances (Northwestern, 2013).
Wojciech Has's films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably
The Saragossa Manuscript, the favorite film of the Grateful Dead's Jerry Garcia, which has been praised by directors Luis Buñuel, Francis Ford Coppola, and Roman Polanski.
Has's films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition to
The Saragossa Manuscript, his diverse and innovative filmography includes
The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars;
The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and
How to Be Loved, in which an actress remembers her wartime past.
Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations:
The Cinema of Wojciech Has is the definitive guide in English to his work.
Inhaltsverzeichnis
- Chapter 1 - Introduction
- Chapter 2 - The Noose (Petla, 1957)
- Chapter 3 - Farewells (Pozegnania, 1958)
- Chapter 4 - One Room Tenants (WspÓlny pokÓj, 1960)
- Chapter 5 - Partings (Rosztanie, 1961)
- Chapter 6 - Gold Dreams (Zloto, 1962)
- Chapter 7 - How to Be Loved (Jak byc kochana, 1963)
- Chapter 8 - The Saragossa Manuscript (Rekopis znaleziony w Saragossie, 1964)
- Chapter 9 - Codes (Szyfry, 1966)
- Chapter 10 - The Doll (Lalka, 1968)
- Chapter 11 - The Sandglass (Sanatorium pod klepsydra, 1973)
- Chapter 12 - An Uneventful Story (Nieciekawa historia, 1983)
- Chapter 13 - Write and Fight (Pismak, 1985)
- Chapter 14 - The Memoirs of a Sinner (Osobisty pamietnik grzesznika przez niego samego spisany, 1986)
- Chapter 15 - The Tribulations of Balthazar Kober (Niezwykla podrÓz Baltazara Kobera, 1988)
- Chapter 16 - Epilogue: Lodz Film School
- Appendix: Early Shorts
- Appendix: Lodz Film School Projects
- Appendix: The Saragossa Manuscript DVD Liner Notes
- Notes
- Photo Captions
- Filmography
- Bibliography
- Index
Über den Autor / die Autorin
Annette Insdorf is a professor of film in Columbia University’s School of the Arts, and moderator of the “Reel Pieces” series at Manhattan’s 92nd Street Y. Her books include
François Truffaut; Indelible Shadows:
Film and the Holocaust; and
Philip Kaufman.
Zusammenfassung
In this first study in English of a master of Polish cinema, Annette Insdorf explores Wojciech Has's thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013). Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.
