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This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored.
A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
Inhaltsverzeichnis
Contents: Realism and 'Impure' cinema: the positive reception of British cinema after WWII - François Truffaut and the New Wave: the vilification of British cinema - The creation of an alternative canon: Positif, Midi-Minuit fantastique, British horror and the fantastic - The 'return of the social': Ken Loach in the pantheon - Contemporary press reviews - Interviews with French and British film critics Jean-Paul Török and V.F. Perkins.
Über den Autor / die Autorin
The Author: Leila Wimmer holds a Ph.D. in Film and Television Studies from the University of Warwick and lectures in Film Studies at London Metropolitan University, UK.
