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Zusatztext “Meticulously annotated…serves up a textured! ribald and frequently poignant interracial friendship between two remarkable talents.”– The New York Times Book Review “Much of the history of race relations–and literary history–in America during the first half of the 20th century is represented here. . . . A magnificent contribution to our understanding of an important friendship.”– The Washington Post “ Remember Me to Harlem is not only a major contribution to our understanding of the Harlem Renaissance! it is also a delightful collection of gossipy correspondence between two of its leading–and most intriguing–characters.” — Henry Louis Gates! Jr. “If you’re interested in the Harlem Renaissance! you can’t afford to miss this book.”– Vibe “ Remember Me to Harlem serves up a textured! ribald and frequently poignant interracial friendship between two remarkable talents .” --David Levering Lewis! The New York Times Book Review “A remarkable work that reveals a complicated relationship between two important U.S. literary figures whose long friendship reached across the racial divide” – The Miami Herald Informationen zum Autor Langston Hughes (1902-1967) was one of the most influential voices of the Harlem Renaissance and a defining figure in 20th-century American literature. Known for his lyrical blending of poetry, jazz, and blues, Hughes captured the struggles and triumphs of African American life with honesty, humor, and musicality. Over his prolific career, he published poetry, fiction, plays, and essays, becoming a celebrated cultural ambassador whose work continues to inspire readers around the world. The Weary Blues, his first book, introduced the world to his singular voice and established him as a poet of the people-bold, visionary, and deeply attuned to the rhythms of everyday life. Klappentext Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless. Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met-Hughes' and Van Vechten's shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It's a correspondence that, as Emily Bernard notes in her introduction, provides "an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men. Leseprobe Chapter 1 1925-1926 When the correspondence between Carl Van Vechten and Langston Hughes began, Van Vechten was in New York, tirelessly cultivating an expertise on Harlem life. Hughes was in Washington, D.C., living with his mother and working as a personal assistant for the "father of Negro history," Carter G. Woodson, who founded the Association for the Study of Negro Life and History in 1915. Hughes performed secretarial chores and worked on Woodson's massive study, Free Negro Heads of Families in the United States in 1830. After hours, Hughes would head for Seventh Street, where he found "sweet relief." There, "ordinary Negroes . . . played the blues, ate watermelon, barbecue, and fish sandwiches, shot pool, told tall tales, looked at the dome of the Capitol and laughed out loud,...
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Langston Hughes (1902-1967) was one of the most influential voices of the Harlem Renaissance and a defining figure in 20th-century American literature. Known for his lyrical blending of poetry, jazz, and blues, Hughes captured the struggles and triumphs of African American life with honesty, humor, and musicality. Over his prolific career, he published poetry, fiction, plays, and essays, becoming a celebrated cultural ambassador whose work continues to inspire readers around the world. The Weary Blues, his first book, introduced the world to his singular voice and established him as a poet of the people-bold, visionary, and deeply attuned to the rhythms of everyday life.
